{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","uuid":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","normalized_title":"分裂分析德勒兹先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":327,"navigation_url":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title_url":"https://workshop.closeclaw.top/ai/title/%E5%88%86%E8%A3%82%E5%88%86%E6%9E%90%E5%BE%B7%E5%8B%92%E5%85%B9%20%E5%85%88%E9%AA%8C%E7%BB%8F%E9%AA%8C%E8%AE%BA%E4%B8%8E%E5%BB%BA%E6%9E%84%E4%B8%BB%E4%B9%89","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","page_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page","search_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/search"},"page":{"printed_page":98,"pdf_page":129,"physical_index":129,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"c1981b539e1cc2eb756e03d99d629f471da61c368cbc590934528b243552b9d7"},"chapter":"第二章 空间","content":"哲学、科学与艺术的表现形式与内容虽然各自不同，其实更取决于三者都不可或缺的创造行动与伴随而生的崭新时空。德勒兹以许多著作分析了一个个由创造行动所产生的空间，比如科学的座标空间、电影所创造的各种“运动一影像空间”、卡夫卡小说所创造的“孔隙空间”、舒曼音乐中的生成一儿童空间等等1]，然而空间的问题并不停止于此，不局限于已创造空间的分析，而是更进一步关注使各种创造行动成为可能的空间概念。这个空间既不可见也不可感知，因此不应问空间是什么，因为这个饱含创造威力的空间不可再现。应该问什么操作使得我们产生这个创造性空间的纯粹直观?或者不如说，究竟是何种特异的空间运动使得创造成为可能？何种思想运动总是能伴随这种创造性空间出现?\n\n分裂分析德勒兹\n\n[1]德勒兹在《柏格森主义》中指出：“空间实际上并非物质或展延，而是物质的图示’(schème)，亦即松弛运动推演至极的项目再现，如同是所有可能展延的外部包裹。……如果我们认为物质有成千上万种松弛或展延的方法，我们就应说有着所有种类的分辨展延，所有的亲缘，但同时亦都是质化的，而且最终仅混同在我们的空间模式中。”(Lebergsonisme,89)\n\n[2] FO, 126.\n\n98","previous_page":97,"next_page":99}