{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","title":"Bodies in code  interfaces with digital media","author":null,"edition":null,"publisher":null,"year":null,"isbn":"0415970164","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","id":"4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","uuid":"4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","title":"Bodies in code  interfaces with digital media","normalized_title":"bodiesincodeinterfaceswithdigitalmedia","author":null,"edition":null,"publisher":null,"year":null,"isbn":"0415970164","isbns":["0415970164","0415970156","9780415970167","9780415970150"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":348,"navigation_url":"https://workshop.closeclaw.top/ai/book/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","title_url":"https://workshop.closeclaw.top/ai/title/Bodies%20in%20code%20%20interfaces%20with%20digital%20media","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","page_url":"https://workshop.closeclaw.top/api/ai/books/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53/page","search_url":"https://workshop.closeclaw.top/api/ai/books/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53/search"},"page":{"printed_page":154,"pdf_page":167,"physical_index":167,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"bef18e06ae3a4704f09bdc82c96c0334431c9e7dc5c33fc0aa01a158b5c812ba"},"chapter":"bodies in code","content":"Although the imposition of the \"racial epidermal schema\" has the effect of turning the black self into an object, it nonetheless remains part of a larger dialectic; indeed, this devastating effect can only be the rigorous result-in a sense, the distorted remainder—of the dialectic of white identification. The question thus arises: what does the racial epidermal schema—the reduction of black embodiment to a racial image—do for and to the white self?\n\nFanon turns to this question in his effort to identify, extrapolating from and expanding Sartre's analysis of anti-Semitism, the constituents of “negrophobia.\" This leads him to a startling conclusion:\n\nPhobia is to be found on an instinctual, biological level. At the extreme, I should say that the Negro, because of his body, impedes the closing of the postural schema of the white man—at the point, naturally, at which the black man makes his entry into the phenomenal world of the white man. (160)\n\nFanon's point is that the black man—and with him, racial alterity, of which he is the exemplar—interrupts the mirror stage which functions to lend an imaginary integration, an illusory closure, to the postural schema. As Fanon sees it, this failure of the mirror stage to achieve its imaginary sublation of bodily fragmentation describes the actual workings of identification processes in the white world of his time, i.e., in a white world constituted on the basis of the system of racism.\n\nWhether or not this renders Lacan's account of identification racist, it does serve to specify the privilege of the white man and to mark the limitations of that privilege:\n\nIt would indeed be interesting, on the basis of Lacan's theory of the mirror stage, to investigate the extent to which the imago of his fellow built up in the young white at the usual age would undergo an imaginary aggression with the appearance of the Negro. When one has grasped the mechanism described by Lacan, one can have no further doubt that the real Other for the white man is and will continue to be the black man. And conversely. Only for the white man the Other is perceived on the level of the body image, absolutely as the not-self-that is, the unidentifiable, the unassimilable. For the black man, as we have shown, historical and economic realities come into the picture. (161, note, translation modified)\n\nBODIES IN CODE\n\n154","previous_page":153,"next_page":155}