{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","title":"Bodies in code  interfaces with digital media","author":null,"edition":null,"publisher":null,"year":null,"isbn":"0415970164","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","id":"4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","uuid":"4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","title":"Bodies in code  interfaces with digital media","normalized_title":"bodiesincodeinterfaceswithdigitalmedia","author":null,"edition":null,"publisher":null,"year":null,"isbn":"0415970164","isbns":["0415970164","0415970156","9780415970167","9780415970150"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":348,"navigation_url":"https://workshop.closeclaw.top/ai/book/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","title_url":"https://workshop.closeclaw.top/ai/title/Bodies%20in%20code%20%20interfaces%20with%20digital%20media","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","page_url":"https://workshop.closeclaw.top/api/ai/books/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53/page","search_url":"https://workshop.closeclaw.top/api/ai/books/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53/search"},"page":{"printed_page":250,"pdf_page":263,"physical_index":263,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"a4dd2cf53bf6c7fd120a03b1507c153b33b8f80f50ecaf4e49b87f83bb0a6291"},"chapter":"bodies in code","content":"But I saw a strange glimmer everywhere, confined to the sharp oscillations of yellow & blue, as if my retinal view suddenly included along with the reflective blessings of light, an unearthly collusion with scent & sound, registering all possibilities of harm, every threat, every move, even with all that grinning and meeting and din. (49)\n\nThis synaesthetic transfiguration gives Truant the possibility to hear and see in a noisy environment where, we are told, he and his friend Lude were prevented “from hearing correctly\" and where Lude in particular remained“blind.\"\n\nTruant's modeling of his response on the analogics of echo anticipates later sections of the book in which he is led to postulate his symbiotic relationship with Zampanò's narrative. In the most striking of these, Truant depicts himself as the nurturer and provider for the text, the source without which it would not exist:\n\nI wash the sweat off my face, do my best to suppress a shiver, can't, return to the body, spread out across the table like papers—and let me tell you there's more than just The Navidson Record lying there— bloodless and still but not at all dead, calling me to it, needing me now like a child, depending on me despite its age. After all, I'm its source, the one who feeds it, nurses it back to health—but not life, I fear— bones of bond paper, transfusions of ink, genetic encryption in xerox; monstrous, maybe inaccurate correlates, but nonetheless there. And necessary to animate it all? For is that not an ultimate, the ultimate goal? Not some heaven sent blast of electricity but me, and not me unto me, but me onto it, if those two things are really at all different, which is still to say—to state the obvious—without me it would perish. (326)\n\nAlmost immediately however-in yet another testament to the text's media self-reflexivity--this thought is abruptly turned around:\n\nThere's something else.\n\nMore and more often, I've been overcome by the strangest feeling that I've gotten it turned around, by which I mean to say—to state the not-so-obvious—without it I would perish. A moment comes where suddenly everything seems impossibly far and confused, my sense of self derealized & depersonalized, the disorientation so severe I actually believe—and let me tell you it is an intensely strange instance of belief—that this terrible sense of relatedness to Zampano's work implies something that just can't be, namely that this thing has created me; not me only it, but not it only me, where I am nothing more than the matter of some other voice, intruding through the folds of what even now lies there agape, possessing me with histories I should never recognize as my own; inventing me, defining me, directing me until finally every association I can claim as my own ... is relegated to nothing; forcing me to face the most terrible suspicion of all, that all of this has just been made up and what's worse, not made up by me or even for that matter Zampanò.\n\nBODIES IN CODE\n\n250","previous_page":249,"next_page":251}