{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","title":"Bodies in code  interfaces with digital media","author":null,"edition":null,"publisher":null,"year":null,"isbn":"0415970164","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","id":"4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","uuid":"4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","title":"Bodies in code  interfaces with digital media","normalized_title":"bodiesincodeinterfaceswithdigitalmedia","author":null,"edition":null,"publisher":null,"year":null,"isbn":"0415970164","isbns":["0415970164","0415970156","9780415970167","9780415970150"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":348,"navigation_url":"https://workshop.closeclaw.top/ai/book/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","title_url":"https://workshop.closeclaw.top/ai/title/Bodies%20in%20code%20%20interfaces%20with%20digital%20media","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","page_url":"https://workshop.closeclaw.top/api/ai/books/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53/page","search_url":"https://workshop.closeclaw.top/api/ai/books/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53/search"},"page":{"printed_page":251,"pdf_page":264,"physical_index":264,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"96aa3f1782c46722a37718f5723e32d38d13fed8963f991ae5f3b049be458586"},"chapter":"bodies in code","content":"Though by whom I have no idea. (326)\n\nHere then is the traditional equation of novel and body, now reconfigured for a media—or more precisely, a postorthographic—age. In place of the epistemological frisson generated by the mise-en-abîme of, for example, Borges'“Garden of Forking Paths,\" here we encounter a thorough recursivity between text and body. It literally makes no difference which is the container and which the contained because, in either case, the fictional narrative garners its “reality effect\" through the reality affects it stimulates its readers to produce.\n\nFrom this subtle reconfiguration of postmodern reflexivity, we can draw two important conclusions. First, Truant's transformation figures the response of every reader, showing how it encompasses the entirety of the bodily processing involved in reading the text and also how it is, necessarily, nondocumentable, utterly singular. Second, Truant's experience locates the correlation of the novel and the body outside the frame of the novel traditionally considered, thereby transforming it into something like an index of the creativity of embodied reading. Just as the novel undergoes bodily deformation as a result of its confrontation with recording media, so too does the reader undergo an embodied transformation which, in this most curious of mediations, manages to stand in for the referential absence at the core of the novel and thereby to confer reality on the physically, materially—and perhaps even logically—impossible fictional world it projects.\n\nBy enthusiastically shedding all aspirations to autonomy—aspirations that characterize the realist novel per se—House of Leaves comprises a veritable script for producing bodies-in-code. Although it is certainly constrained by the text's language (which provides a source for selectivity), reading as the production of bodies-in-code requires creativity from every one of its actual, flesh-and-blood readers. The source for the difference of repetition, for the analogics of echo, such creativity must stem directly from—and must necessarily capture, though in a nonorthothetic manner—the singular embodiment of each and every reader. That is why, in a final layer of mediation, the act of reading House of Leaves generates a potentially infinite proliferation of singular bodies-in-code\n\nTHE DIGITAL TOPOGRAPHY OF HOUSE OF LEAVES\n\n251","previous_page":250,"next_page":252}