{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","title":"Bodies in code  interfaces with digital media","author":null,"edition":null,"publisher":null,"year":null,"isbn":"0415970164","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","id":"4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","uuid":"4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","title":"Bodies in code  interfaces with digital media","normalized_title":"bodiesincodeinterfaceswithdigitalmedia","author":null,"edition":null,"publisher":null,"year":null,"isbn":"0415970164","isbns":["0415970164","0415970156","9780415970167","9780415970150"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":348,"navigation_url":"https://workshop.closeclaw.top/ai/book/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","title_url":"https://workshop.closeclaw.top/ai/title/Bodies%20in%20code%20%20interfaces%20with%20digital%20media","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","page_url":"https://workshop.closeclaw.top/api/ai/books/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53/page","search_url":"https://workshop.closeclaw.top/api/ai/books/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53/search"},"page":{"printed_page":319,"pdf_page":332,"physical_index":332,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"f0b550a3e3a37c69159dbafe084918180c2b668f7cc513423722a7934fff2b19"},"chapter":"bodies in code","content":"Index\n\nA Ship Called Jesus (Piper), 161   \nAbject body, 147   \n“Absolute survey” (Ruyer), 12   \nAbstract movement, 43   \nAffect, 195, 200, 209   \nAffect, indexicality of, 194   \nAffection, 123,133, 164, 165, 167, 173, 183,   \n185\n\nAnalog, 246, 248   \nAndriaansens, Alex, 102   \nAnlehnung, 61   \n“Any-space-whatever” (Deleuze), 209   \nAnzieu, Didier, 59-63, 68-70   \nApter, Emily, 142   \nArakawa, Shusaku, 183-191, 219, 220   \nArakawa and Gins, 183-191, 219, 220   \n“Architectural body” (Arakawa and Gins), 183, 184, 188,191   \nArchitectural embodiment, 199, 211, 212, 214   \nArchitectural exteriority, 219   \nArchitectural framing, 197, 216, 217   \nArchitectural framing, as generic “body-incode,\" 177   \nArchitectural framing, correlation with embodiment, 177   \nArchitectural image, privilege of, 176   \nArchitectural landing sites, see \"landing sites\"   \nArchitectural sign, 191-193, 209-211   \nArchitectural sign, autonomy of, 210   \nArchitectural sign, specificity of, 192   \nArchitectural space, 183, 200, 203, 205   \nArchitecture, 176-178, 182, 190, 191, 197-199   \nArchitecture, as embodied framing, 218   \nArchitecture, as potential for longitudinal experience, 219   \nArchitecture, as privileged art of framing, 196, 205, 210, 214,216   \nArchitecture, autonomy of, 177   \nArchitecture, interiority of, 177, 192, 193, 194, 195, 197-199, 203, 205, 206, 209-213, 218   \nArchitecture, origin in embodiment, 196, 214, 217,218   \nArchitecture, origin in wearable space, 218\n\n319","previous_page":318,"next_page":320}