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in code","content":"Architecture, parameter-driven design tech  \nniques, 229   \nAronoff Center (Eisenman), 208   \nArs Electronica, 88   \nArtificial Reality 2 (Krueger), 29   \n“Artificial reality\" 3, 4, 27, 31, 45, 117   \nAural, see “hearing\"   \nAutonomy of architecture, 177   \nAutonomy, of the architectural sign, 210   \nAutopoiesis, 12, 13, 39, 41, 93, 198\n\nBach y Rita, Paul, 3   \nBarbaras, Renaud, 72, 73   \n“Bare life” (Agamben), 155   \nBarrière, Jean-Baptiste, 88   \nBarthes, Roland, 227, 228, 241   \nBaudrillard, Jean, 37   \nBeing of the Phenomenon, The (Barbaras), 72   \nBeing-with, 21, 58   \nBenayoun, Maurice, 88, 90, 93, 94   \nBenjamin, Walter, 8   \nBergson, Henri, 50, 123, 185   \nBergson, criticism of the “cinematic illusion,\" 4   \nBergson, on affection, 123, 185   \nBetsky, Aaron, 218   \nBick, Esther, 59-63   \nBick, on the “muscular shell,\" 63   \nBick, on the “second muscular skin,\" 62   \nBick, on the “second-skin formation,\" 62   \nBiocca, Frank, 113   \nBlack body, as corporeal remainder of the biological, 155   \nBlack Skin, White Masks (Fanon), 149-156   \nBlackface, 145   \nBlind man's stick (Merleau-Ponty), 43, 44, 47,134   \nBlindspot (Hawkinson), 9-12, 19   \nBlur Building (Diller + Scofidio), 178-183, 212, 217-220   \nBodily excess, see “Excess, of the body’   \nBodily life, see “Embodiment\"   \nBodily motility, see “Motility”   \nBody ego (Freud), 133   \nBody image, 14, 15, 18, 20, 37, 28, 40, 41, 43, 49-53, 56, 57, 67, 100-102, 112, 127- 130, 133, 134, 151, 152, 169   \nBody image, as cultural image, 15   \nBody image, static versus “on-line,\" 133   \nBody Movies—Relational Architecture 6 (Lozano-Hemmer), 100, 101, 102   \nBody schema, 20, 21, 26, 38-45, 47-53, 55, 58, 59, 62, 66, 67, 82, 83, 87, 88, 112, 133, 134, 141, 149-153   \nBody schema, as distinguished from body image, 20, 38, 39, 40, 48, 51, 52   \nBody schema, commonality of, 57, 58   \nBody schema, correlation with the flesh, 54\n\nBody schema, privileged over visual image of   \nbody, 55   \nBody schema, reduction to body image, 152   \nBody schema, technical deployment of, 52   \nBody schema, technical fusion with image,   \n49,50   \n\"Body without an image\" (Massumi), 41   \nBody, abjection of, 147   \nBody, as “spatializer of space,\" 43, 135, 191   \nBody, as convertor of force into affect, 190,   \n196,209,210   \nBody, as first medium, 15   \nBody, as imaging potential, 186, 189   \nBody, as source for spatiality of space, 190, 199   \nBody, as supplement to recording, 241   \nBody, constitutive coupling with the social, 13   \nBody, correlation with space, 191   \nBody, différance of, 246   \nBody, dynamic coupling with space, 134, 135   \nBody, excess of, 39, 149, 169, 170, 173   \nBody, instrumentalization of, 15   \nBody, interface with environment, 26   \nBody, longitudinal indetermination of, 199,   \n209   \nBody, outside the image, 143   \nBody, recursivity with text, 251   \n“Body-in-code,\" 20, 21, 38, 49, 96, 110, 111,   \n118, 123, 136, 148, 177, 178, 195,   \n223, 224, 228, 251, 252   \nBodymaps: artifacts of touch (Schiphorst),   \n64-67   \nBorges, Jorge-Luis, 246, 249, 251   \nBrouwer, Joke, 102   \nButler, Judith, 13, 56, 146, 152, 153   \n“Ça a été\" (Barthes), 227, 228   \nCache, Bernard, 176, 185, 210   \nCache, on the privilege of architectural image,   \n176   \nCaillois, Roger, 127, 130, 131-135   \nCaillois, on mimicry, 127   \nCaillois, on psychasthenia and technics, 132   \nCalvino, Italo, 229   \nCamera Lucida (Barthes), 227   \nCameron, Andy, 32, 33, 37   \nCampbell, Jeremy, 114, 115   \nCastoriadis, Cornelius, 223   \nCaught Like a Nigger in Cyberspace (Piper),   \n163-168   \nCAVE (computer-assisted virtual environ  \nment), 45, 49, 88, 91   \nCharacter, role in House of Leaves, 235   \nChiasm, 71, 75   \n\"Child's Relation to Others, The” (Merleau-  \nPonty), 54, 77   \nCinema, 4, 227, 230   \nCode, 37, 38\n\nINDEX\n\n320","previous_page":319,"next_page":321}