{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","title":"Bodies in code  interfaces with digital media","author":null,"edition":null,"publisher":null,"year":null,"isbn":"0415970164","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","id":"4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","uuid":"4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","title":"Bodies in code  interfaces with digital media","normalized_title":"bodiesincodeinterfaceswithdigitalmedia","author":null,"edition":null,"publisher":null,"year":null,"isbn":"0415970164","isbns":["0415970164","0415970156","9780415970167","9780415970150"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":348,"navigation_url":"https://workshop.closeclaw.top/ai/book/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","title_url":"https://workshop.closeclaw.top/ai/title/Bodies%20in%20code%20%20interfaces%20with%20digital%20media","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","page_url":"https://workshop.closeclaw.top/api/ai/books/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53/page","search_url":"https://workshop.closeclaw.top/api/ai/books/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53/search"},"page":{"printed_page":326,"pdf_page":339,"physical_index":339,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"df3b27a9006483d02425e7c34d2897ff57510e632fa36b9a5623a97008e5116f"},"chapter":"bodies in code","content":"Tactility, reality-conferring function of, 121   \nTactility, undifferentiated experience of, 133   \nTagging the Other (Piper), 163   \nTausk, Victor, 62   \nTechnical image, framing function of, 176   \n“Technical life,\" 38   \nTechnical recording, 222, 223, 226, 232, 236, 241, 247,   \nTechnicity, transductive coupling with embodiment, ix, 84, 91, 99, 100, 122   \nTechnics, ix, x, 19   \nTechnics, as medium-for-individuation, 99   \nTechnics, as prosthetics, 98, 128   \nTechnogenesis, ix, 9, 20-22, 28, 62, 102, 103   \n“Tele-absence interface” (Lozano-Hemmer), 96,97,100   \nTelepresence, 117, 118   \nTelevision, 214, 216   \n“Tertiary memory\" (Stiegler), 92, 93   \nText, recursivity with body, 251   \n“Texture-gradient mapping,\" 114-116   \nThird cinema, 157   \nThree-dimensional space, 3   \nTime consciousness, ix   \nTouch, 54, 65, 69, 72, 73, 78-71, 112, 119, 121, 122, 125, 133, 134, 137, 219   \nTouch, as source of vision, 53   \nTouch, asymmetry in relation to vision, 54, 77,121   \nTouch, protosensory versus sensory, 68   \nTouch, self-reflexivity of, 18, 78   \nTouch, transductive coupling with vision, 81,82   \nTraces (Penny), 45-49, 52   \nTradewinds (Piper), 161   \n“Transcendental sensibility,\" 8, 59   \nTransduction (Simondon), 53   \nTransduction, of body and world, 74, 75 “Transindividuation\" (Simondon), 99, 100, 103,170   \nTrench House (Arakawa and Gins), 189   \nTristram Shandy (Sterne), 229   \nTruant, Johnny, 224, 225, 228-240, 244, 251   \nTruant, as first reader of House of Leaves, 250   \nTuring paradigm, see “Turing test”   \nTuring test, 32, 36, 37   \nTypewriter, 222 Typographical deformation, 230, 231, 237, 238 Ubiquitous computing, 175 Ubiquitous Site  Nagi's Ryoanji Architectural Body (Arakawa and Gins), 186, 187   \nUniversalization of address, in Keith Piper, 159   \n\"Unsharp interface\" (Fleischmann and Strauss), 18\n\nINDEX\n\n326","previous_page":325,"next_page":327}