{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","title":"Bodies in code  interfaces with digital media","author":null,"edition":null,"publisher":null,"year":null,"isbn":"0415970164","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","id":"4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","uuid":"4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","title":"Bodies in code  interfaces with digital media","normalized_title":"bodiesincodeinterfaceswithdigitalmedia","author":null,"edition":null,"publisher":null,"year":null,"isbn":"0415970164","isbns":["0415970164","0415970156","9780415970167","9780415970150"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":348,"navigation_url":"https://workshop.closeclaw.top/ai/book/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","title_url":"https://workshop.closeclaw.top/ai/title/Bodies%20in%20code%20%20interfaces%20with%20digital%20media","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53","page_url":"https://workshop.closeclaw.top/api/ai/books/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53/page","search_url":"https://workshop.closeclaw.top/api/ai/books/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53/search"},"page":{"printed_page":"V","pdf_page":6,"physical_index":6,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"82a0a1262fb2c2c4c59e5c6afd3b153b3792922ce81f828e0e954389f6449acf"},"chapter":"bodies in code","content":"contents\n\nThe Author vii   \nPreface ix   \nIntroduction: From the Image to the Power of Imaging:   \nVirtual Reality and the \"Originary\" Specularity of   \nEmbodiment   \n1. All Reality Is Mixed Reality   \n2. The Power of Imaging and the Privilege of the Operational 6   \n3. Virtual Reality as Embodied Power of Imaging 14   \nPart I: Toward a Technics of the Flesh 23   \nBodies in Code, or How Primordial Tactility   \nIntrojects Technics into Human Life 25   \n1. \"Make Use of What Nature Has Given Us!\" 25   \n2. Body Schema As Potentiality 38   \n3. Technics and the Dissolution of the Body Image 43   \n4. Specularity beyond the Mirror-Image 53   \n5. All Exteriorizations Are Exteriorizations of the Skin 59   \n6. Primordial Tactility 67   \n7. Seeing through the Hand 71   \n8. Worldskin 82   \n9. The Tele-Absent Body 94   \nPart II: Locating the Virtual in Contemporary Culture 105   \n2 Embodying Virtual Reality: Tactility and   \nSelf-Movement in the Work of Char Davies 107   \n1. The Primacy of Self-Movement in Conferring Reality   \non Perception 113   \n2. Beyond the Body-Image: Embodying Psychasthenia 126   \n3 Digitizing the Racialized Body, or the Politics   \nof Common Impropriety 139   \n1. Beyond Symbolic Interpellation: Understanding   \nDigital Performativity 142   \n2. Beyond Visibility: the Generalization of Passing 145   \n3.\"Corporeal Malediction\" and the \"Racial-Epidermal   \nSchema\" 147   \n4. From Negrophobia to Negrophilia 156   \n5. Mobilizing Affectivity beyond the Image 163   \n6. Forging the Affection-Body 168   \n4 Wearable Space 175   \n1. Encountering the Blur 178   \n2. The Architectural Body 183   \n3. The \"Interiority\" of Architecture 191   \n4. Internal Resonance 197   \n5. A New Organicism 199   \n6. Wearing the Blur 210   \n5 The Digital Topography of House of Leaves 221   \n1. The Digital 229   \n2. Media 232   \n3. Body 238   \nNotes 253   \nReferences 299   \nBibliography 309   \nIndex 319\n\nV","previous_page":5,"next_page":7}