{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"522f0795-2372-4d31-8b2a-aee96946e042","title":"14410512","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787508681948","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"522f0795-2372-4d31-8b2a-aee96946e042","id":"522f0795-2372-4d31-8b2a-aee96946e042","uuid":"522f0795-2372-4d31-8b2a-aee96946e042","title":"14410512","normalized_title":"14410512","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787508681948","isbns":["9787508681948"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":466,"navigation_url":"https://workshop.closeclaw.top/ai/book/522f0795-2372-4d31-8b2a-aee96946e042","title_url":"https://workshop.closeclaw.top/ai/title/14410512","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/522f0795-2372-4d31-8b2a-aee96946e042/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/522f0795-2372-4d31-8b2a-aee96946e042/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/522f0795-2372-4d31-8b2a-aee96946e042","page_url":"https://workshop.closeclaw.top/api/ai/books/522f0795-2372-4d31-8b2a-aee96946e042/page","search_url":"https://workshop.closeclaw.top/api/ai/books/522f0795-2372-4d31-8b2a-aee96946e042/search"},"page":{"printed_page":263,"pdf_page":282,"physical_index":282,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"2bcc6c89668446aef7dd413fae6fbca39cb7e879a872f95ad4683c45c0553aff"},"chapter":"第17章名人产业链的建立","content":"斯托利是一名一生都经受挫折的记者，现在把新闻才智都献给了每周的封面制作，这是杂志能否吸引大家眼球的关键，也是报摊销售额的决定性因素。他会及时制订一些规则。第一，在封面上出现的人物“要有80%的美国民众认识”。第二，“一定要有读者想了解的人物信息”。在此之后，就一切都由所处的社会层级来决定，几乎充满达尔文进化论式的残忍：\n\n年轻人好过老年人。\n\n美貌的要好过丑陋的。\n\n富有的要好过贫穷的。\n\n电视要好过音乐。\n\n音乐要好过电影。\n\n电影要好过体育。\n\n任何其他领域都要好过政治。\n\n第17章 名人产业链的建立\n\n263","previous_page":262,"next_page":264}