{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"54d3c118-c4aa-4f73-931a-46b5161e4e39","title":"生产：德勒兹机器（第五辑）","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787563370245","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"54d3c118-c4aa-4f73-931a-46b5161e4e39","id":"54d3c118-c4aa-4f73-931a-46b5161e4e39","uuid":"54d3c118-c4aa-4f73-931a-46b5161e4e39","title":"生产：德勒兹机器（第五辑）","normalized_title":"生产德勒兹机器第五辑","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787563370245","isbns":["9787563370245"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":408,"navigation_url":"https://workshop.closeclaw.top/ai/book/54d3c118-c4aa-4f73-931a-46b5161e4e39","title_url":"https://workshop.closeclaw.top/ai/title/%E7%94%9F%E4%BA%A7%EF%BC%9A%E5%BE%B7%E5%8B%92%E5%85%B9%E6%9C%BA%E5%99%A8%EF%BC%88%E7%AC%AC%E4%BA%94%E8%BE%91%EF%BC%89","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/54d3c118-c4aa-4f73-931a-46b5161e4e39/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/54d3c118-c4aa-4f73-931a-46b5161e4e39/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/54d3c118-c4aa-4f73-931a-46b5161e4e39","page_url":"https://workshop.closeclaw.top/api/ai/books/54d3c118-c4aa-4f73-931a-46b5161e4e39/page","search_url":"https://workshop.closeclaw.top/api/ai/books/54d3c118-c4aa-4f73-931a-46b5161e4e39/search"},"page":{"printed_page":"生产 / 106","pdf_page":111,"physical_index":111,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"7ab9c21a92300a09e6cb4832f81e3d15fc0f0b91531ee36bdb722eb7a66312f9"},"chapter":"PRNG","content":"“把更高的价值放在深度而非广度，把肤浅’作为广延’而非无深度’的意义来接受，而另一方面，深’意味着了不起的深度’，而非微不足道的表面’，这是很奇怪的一种偏见。然而，在我看来，像爱这种感觉如果可以衡量的话，那最好通过表面的延展而非深度来衡量。”\n\n[10]比如，在记忆系统中，记忆的形成是一条对角线，把现在A变成相关于新的现在B的A′的再现，再变成相关于C的A\"，依此类推： $\\mathrm { A ^ { \\prime } }$ $\\mathrm { A ^ { \\prime \\prime } }$\n\n见 Edmund Husserl, The Phenomenology of Internal Time-Consciousness, ed. Martin Heidegger, trans. James S. Churchill, intro. Calvin O. Schrag , Bloomington: Indiana University Press, 1964, pp. 48—50。\n\n[11 ]Friedrich Nietzsche, Untimely Meditations, trans. R. J. Hollingdale , New York: Cambridge University Press, 1983, \"On the Uses and Disadvantages of History for Life,\" sec. 1, pp. 63-64.\n\n[12]关于所有这些命题，见PierreBoulez。(1)这些斜线何以总是能逃脱音乐的水平和垂直坐标，有时甚至画出“虚线”，见 Notes of an Apprenticeship，ed. PauleThévenin, trans. Robert Weinstock ,New York: Knopf, 1968, pp. 231—232, 295—301，382—383。(2)关于与这种斜线有关的声区或“绵延区”，见 Boulez on Music To-day, trans. Susan Bradshaw and Richard Bennett , Cambridge, Mass. : Harvard UniversityPress，1971，pp.55—59。(3)关于点与区的区别，“数点组合，”和“集合体，”及其变化的个性，见，Médiations，no.7，1964。布莱兹著作中经常表现出对记忆的痛恨；见\"Eloge de l'amnésie,\"Musique en jeu, no. 4 , 1971, pp. 5—14, and \"J'ai horreur dusouvenir,\" in Roger Desormière et son temps, ed. Denise Mayer and Pierre Souvtchinsky,Monaco：Ed. du Rocher，1966。如果在我们自己的时代寻找例子，类似的宣言可见于斯特拉文斯基、凯奇、贝里奥的作品中。当然，有一种维系于坐标的音乐记忆，而且要在社会背景中运作(起床，上床，击鼓撤退)。但对音乐“语句”的认知与其说诉诸记忆，哪怕是回忆式的记忆，毋宁说诉诸对冲突型的认知的引申或收缩。应该研究的是每一个音乐家是如何激活可证实的忘却区的，比如，JeanBarraqué在德彪西的作品中看到的之中的内在时间与相关于时代差别的外在时间区别开来(Epoques et niveaux temporelsdans le système de la conuugaison française, Cahiers de linguistique structurale,Université de Laval，Quebec，no. 4，1955)。在我们看来，这两个极端各自对应于不定式一生成，即永存，和现在一生成，即时间。每一个动词都多多少少倾向于一极或另一极，这不仅依其性质，而且依其模式和时态的细微差别而定的，只有与两极同时对应的“生成”和“存在”例外。在研究福楼拜的风格时，普鲁斯特表明了福楼拜作品中的未完成时态表示不定式=生成的价值：Chroniques，Paris：Gallimard，1927，pp. 197—199。\n\n德勒兹机器\n\n生产\n\n第五辑\n\n106","previous_page":110,"next_page":112}