{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"54d3c118-c4aa-4f73-931a-46b5161e4e39","title":"生产：德勒兹机器（第五辑）","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787563370245","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"54d3c118-c4aa-4f73-931a-46b5161e4e39","id":"54d3c118-c4aa-4f73-931a-46b5161e4e39","uuid":"54d3c118-c4aa-4f73-931a-46b5161e4e39","title":"生产：德勒兹机器（第五辑）","normalized_title":"生产德勒兹机器第五辑","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787563370245","isbns":["9787563370245"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":408,"navigation_url":"https://workshop.closeclaw.top/ai/book/54d3c118-c4aa-4f73-931a-46b5161e4e39","title_url":"https://workshop.closeclaw.top/ai/title/%E7%94%9F%E4%BA%A7%EF%BC%9A%E5%BE%B7%E5%8B%92%E5%85%B9%E6%9C%BA%E5%99%A8%EF%BC%88%E7%AC%AC%E4%BA%94%E8%BE%91%EF%BC%89","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/54d3c118-c4aa-4f73-931a-46b5161e4e39/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/54d3c118-c4aa-4f73-931a-46b5161e4e39/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/54d3c118-c4aa-4f73-931a-46b5161e4e39","page_url":"https://workshop.closeclaw.top/api/ai/books/54d3c118-c4aa-4f73-931a-46b5161e4e39/page","search_url":"https://workshop.closeclaw.top/api/ai/books/54d3c118-c4aa-4f73-931a-46b5161e4e39/search"},"page":{"printed_page":139,"pdf_page":144,"physical_index":144,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"5ea0b57895eb2028ff3cfcd645de87173b90ee228d44b66c41f92dcd30c6430c"},"chapter":"PRNG","content":"当我们提出平滑空间与条纹空间之间的原始二元性时，那是为了把“触觉”与“视觉”、“封闭视野”与“远距离视野”之间的差异附属干这个差别。于是，我们不再根据不动的背景、平面和轮廓来定义触觉了，因为这些都与已经混合的状态相关，在这种状态中，触觉服务于条纹，利用其平滑的因素以便将其改造成另一种空间。触觉功能和封闭视野是平滑空间的先决条件，平滑空间没有背景、平面或轮廓，而是改变部分之间的方向和局部联系。相反，发展的视觉功能并不满足于条纹的新的完善水平，赋予它一个想象的普遍价值和规模；它还能恢复平滑空间，释放出光，改变色彩，恢复一种空中触觉空间，构成了平面相交的无限制场所。简言之，平滑空间和条纹空间必须在触觉和视觉、近距离和远距离之间的相对区别确定之前确定自身。\n\n正是在这里第三对插入进来：“抽象的线条具体的线条”(前两对是“触觉—视觉”，“封闭—远距离”)。从根本上重视抽象线条的是沃林格，他认为抽象线条是艺术的端倪，是艺术意志的最初表达。艺术是抽象机器。它无疑将再次成为我们事先表达\n\n游牧艺术：空间\n\n139","previous_page":138,"next_page":140}