{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"54d3c118-c4aa-4f73-931a-46b5161e4e39","title":"生产：德勒兹机器（第五辑）","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787563370245","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"54d3c118-c4aa-4f73-931a-46b5161e4e39","id":"54d3c118-c4aa-4f73-931a-46b5161e4e39","uuid":"54d3c118-c4aa-4f73-931a-46b5161e4e39","title":"生产：德勒兹机器（第五辑）","normalized_title":"生产德勒兹机器第五辑","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787563370245","isbns":["9787563370245"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":408,"navigation_url":"https://workshop.closeclaw.top/ai/book/54d3c118-c4aa-4f73-931a-46b5161e4e39","title_url":"https://workshop.closeclaw.top/ai/title/%E7%94%9F%E4%BA%A7%EF%BC%9A%E5%BE%B7%E5%8B%92%E5%85%B9%E6%9C%BA%E5%99%A8%EF%BC%88%E7%AC%AC%E4%BA%94%E8%BE%91%EF%BC%89","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/54d3c118-c4aa-4f73-931a-46b5161e4e39/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/54d3c118-c4aa-4f73-931a-46b5161e4e39/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/54d3c118-c4aa-4f73-931a-46b5161e4e39","page_url":"https://workshop.closeclaw.top/api/ai/books/54d3c118-c4aa-4f73-931a-46b5161e4e39/page","search_url":"https://workshop.closeclaw.top/api/ai/books/54d3c118-c4aa-4f73-931a-46b5161e4e39/search"},"page":{"printed_page":210,"pdf_page":215,"physical_index":215,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"73d7941141a887501863d14337297e0d045480ef26ce43da047595101fbf7247"},"chapter":"PRNG","content":"这种思想并不在于未来，好像承诺在遥远的未来有一个新的开端。它就出现在德勒兹的文本中从中跳出来，在我们眼前，在我们中间跳舞；这是生殖性的思想，热烈的思想，肯定性的思想，非范畴的思想：其中的每一种思想都有一张不可识别的面孔，都佩戴了一副我们从未见过的面具；这些差异，从未被预见到，但仍然促使我们回到它们那里，这些差异是柏拉图、司各特、斯宾诺莎、莱布尼茨、康德和所有哲学家的面具的面具。这种哲学不是作为思想的哲学，而是作为剧场的哲学：一个上演哑剧的剧场，这部哑剧有许多转瞬即逝的场次，在这些戏剧中，打着盲目的手势。就是在这个剧场中，在苏格拉底的面具下，突然爆发出智者的笑声；就是在这个剧场中，斯宾诺莎的样态导向了一个没有中心的圆圈，而实体则围绕着样态就像是一颗癫狂的行星；也是在这个剧场中，蹒跚的费希特宣告着：“我破裂(分解)的自我”；也是在这个剧场中，莱布尼茨在登上了金字塔之顶后，可以穿越黑暗看出天上的音乐事实上是“月中丑角”(Pierrot lunaire)。在卢森堡花园的岗亭中，司各特将他的脑袋探出了环形窗外；他留了一把令人难忘的小胡子；这把小胡子是尼采的，但却伪装成克洛索夫斯基的模样。\n\n德勒兹机器\n\n210\n\n第五辑","previous_page":209,"next_page":211}