{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"54d3c118-c4aa-4f73-931a-46b5161e4e39","title":"生产：德勒兹机器（第五辑）","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787563370245","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"54d3c118-c4aa-4f73-931a-46b5161e4e39","id":"54d3c118-c4aa-4f73-931a-46b5161e4e39","uuid":"54d3c118-c4aa-4f73-931a-46b5161e4e39","title":"生产：德勒兹机器（第五辑）","normalized_title":"生产德勒兹机器第五辑","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787563370245","isbns":["9787563370245"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":408,"navigation_url":"https://workshop.closeclaw.top/ai/book/54d3c118-c4aa-4f73-931a-46b5161e4e39","title_url":"https://workshop.closeclaw.top/ai/title/%E7%94%9F%E4%BA%A7%EF%BC%9A%E5%BE%B7%E5%8B%92%E5%85%B9%E6%9C%BA%E5%99%A8%EF%BC%88%E7%AC%AC%E4%BA%94%E8%BE%91%EF%BC%89","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/54d3c118-c4aa-4f73-931a-46b5161e4e39/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/54d3c118-c4aa-4f73-931a-46b5161e4e39/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/54d3c118-c4aa-4f73-931a-46b5161e4e39","page_url":"https://workshop.closeclaw.top/api/ai/books/54d3c118-c4aa-4f73-931a-46b5161e4e39/page","search_url":"https://workshop.closeclaw.top/api/ai/books/54d3c118-c4aa-4f73-931a-46b5161e4e39/search"},"page":{"printed_page":84,"pdf_page":89,"physical_index":89,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"e51baa89544f3d7df4b82bab68173c321752b03a37c71a18b2dac43be033cf65"},"chapter":"PRNG","content":"《透过玻璃镜》也是这种情况—甚至更严重。在这部书中，从根本上区别于事物的事件不是发生在深度，而发生在表面，在身体捕捉不到的微弱的无形的薄雾中，缠绕着它们的没有体积的胶片，反映它们形象的镜子，按照规定摆设的棋盘。艾丽丝已经没有能力穿过那些深度了。相反，她释放出非物质的替身。人正是通过跟随疆界，通过绕着表面的边缘，才从身体通向非物质的东西的。保罗·瓦雷里提出一个深刻的观点：最深的东西是皮肤。这是斯多葛派的发现，它以巨大的智慧为前提，并引发出整个伦理来。这是一个小女孩的发现，她在边缘上长大，在边缘上变小—一个变红又变绿的表面。她懂得事件越是跨越整个无深度的延展的表面，就越是影响它们割破和擦伤的身体。后来，成年人挣扎着站起来，然后又跌倒了，跌得太深了，他们什么都不懂了。为什么斯多葛派的这些例子继续给刘易斯·卡罗尔以灵感?——树是绿的，手术刀是用来切割的，战争爆发或不爆发。…正是在树的面前，艾丽丝失去了名字。正是在面对一棵树的时候，邓普敦说话时看也不看艾丽丝。朗诵宣布战斗的开始，伤残无处不有。但这些是例子吗？抑或，每一个事件都是这种情况吗？——森林、战斗、受伤—由于发生在表面而越发深刻？越是绕着身体，身体就越没有形体。历史教导我们声音之路没有根基，而在地理学中，只有薄薄的一层土是肥沃的。\n\n德勒兹机器 生产 第五辑\n\n84","previous_page":83,"next_page":85}