{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"562339c8-c207-4c3e-ba84-6a062642b0a2","title":"加速 现代社会中时间结构的改变","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787301265185","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"562339c8-c207-4c3e-ba84-6a062642b0a2","id":"562339c8-c207-4c3e-ba84-6a062642b0a2","uuid":"562339c8-c207-4c3e-ba84-6a062642b0a2","title":"加速 现代社会中时间结构的改变","normalized_title":"加速现代社会中时间结构的改变","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787301265185","isbns":["9787301265185"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":442,"navigation_url":"https://workshop.closeclaw.top/ai/book/562339c8-c207-4c3e-ba84-6a062642b0a2","title_url":"https://workshop.closeclaw.top/ai/title/%E5%8A%A0%E9%80%9F%20%E7%8E%B0%E4%BB%A3%E7%A4%BE%E4%BC%9A%E4%B8%AD%E6%97%B6%E9%97%B4%E7%BB%93%E6%9E%84%E7%9A%84%E6%94%B9%E5%8F%98","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/562339c8-c207-4c3e-ba84-6a062642b0a2/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/562339c8-c207-4c3e-ba84-6a062642b0a2/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/562339c8-c207-4c3e-ba84-6a062642b0a2","page_url":"https://workshop.closeclaw.top/api/ai/books/562339c8-c207-4c3e-ba84-6a062642b0a2/page","search_url":"https://workshop.closeclaw.top/api/ai/books/562339c8-c207-4c3e-ba84-6a062642b0a2/search"},"page":{"printed_page":98,"pdf_page":116,"physical_index":116,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"fbcc1a48ed57fc6b0069a80c734a8a9a43816ed795f0b07da2841d486f2db2e8"},"chapter":"第三章 什么是社会加速","content":"正如埃里克森所注意到的，速度界限的推移和与之相联系的对快速及缓慢的感觉的变化体现在，18世纪时候的火车在当时被看做是快得不可思议而且有损健康的，而在今天却实现了比那时快得多的速度，但是今天的火车却被当做缓慢而悠闲的交通工具，考虑到高速公路和飞机运输，火车简直是“慢悠悠的时代”的典型代表[61]特别类似的另一个例子是，爵士音乐在它出现的20世纪上半叶被感觉为上气不接下气的、急急忙忙的、过快的、机器一般的和令人失去知觉的一混乱的，是那个时代的写照，而在今天，爵士音乐却被赞颂为“带来安静时光”的特定的音乐形式，“爵士音乐特地为悠闲的午后而准备”[62]\n\n98\n\n加速：现代社会中时间结构的改变\n\n140\n\n\\*沃夫冈·席维尔布什(1941一)，德国文化研究学者、历史学家和作家。主要著作有《疏远的亲戚》《失败的文化》《工业化的旅行者》等。—译者注\n\n[58] Schivelbusch,2000年,第16页和第35页及其后页。\n\n[59] 同上书,第51页及其后页;此外也请参照Treptow,1992年,第7页及其后页,和Eriksen,2001年,第54页及其后页。\n\n[60]“火车上演了新的风景。使拉斯金(Ruskin)(旧的’感知方式的典范式的代表—本书作者注)所感觉到的对象都蒸发了的，并因此使这些对象都进入到冥想式的存在的速度。对于新的感觉来说简直是生活的仙丹妙药。只有通过速度，可见的世界中的物品才能拥有诱惑力”(Schivelbusch,2000年,第58页,参照第143页)。\n\n[61] Eriksen,2001年,第54页及其后页。","previous_page":97,"next_page":99}