{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"615247b0-a6ee-49b0-874a-85ef1da5da71","title":"精神政治学","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787508697062","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"615247b0-a6ee-49b0-874a-85ef1da5da71","id":"615247b0-a6ee-49b0-874a-85ef1da5da71","uuid":"615247b0-a6ee-49b0-874a-85ef1da5da71","title":"精神政治学","normalized_title":"精神政治学","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787508697062","isbns":["9787508697062"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":136,"navigation_url":"https://workshop.closeclaw.top/ai/book/615247b0-a6ee-49b0-874a-85ef1da5da71","title_url":"https://workshop.closeclaw.top/ai/title/%E7%B2%BE%E7%A5%9E%E6%94%BF%E6%B2%BB%E5%AD%A6","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/615247b0-a6ee-49b0-874a-85ef1da5da71/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/615247b0-a6ee-49b0-874a-85ef1da5da71/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/615247b0-a6ee-49b0-874a-85ef1da5da71","page_url":"https://workshop.closeclaw.top/api/ai/books/615247b0-a6ee-49b0-874a-85ef1da5da71/page","search_url":"https://workshop.closeclaw.top/api/ai/books/615247b0-a6ee-49b0-874a-85ef1da5da71/search"},"page":{"printed_page":87,"pdf_page":94,"physical_index":94,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"b20e885613d257e7e316207a969f4f1bd5f2452d84a160ce099b57b5c52e2a3a"},"chapter":"精神政治学","content":"瓦尔特·本雅明（Walter Benjamin)认为，电影摄像机使人们可以理解什么是视觉潜意识（OptischUnbewusste)：“特写镜头延伸了空间，慢镜头则延伸了运动……显而易见，这是一个异样的世界，摄像机前的它和人眼看到的它截然不同。造成这种不同的原因主要在于，一个由潜意识编织的空间代替了一个由意识编织的空间。当我们大体上习惯于伸手去抓打火机或者勺子时，我们就不会了解手和金属之间究竟发生了什么，也就更不会知道这种动作会随着情绪的波动发生怎样的变化。在这里摄像机凭借一些辅助手段发挥作用，例如通过下降和提升，通过中断和隔离，通过对过程的延长和压缩，通过放大和缩小进行介入。通过摄影机我们才能获知视觉潜意识的存在，就像通过精神分析了解到本能潜意识一样。”[52]\n\n87\n\n大数据","previous_page":86,"next_page":88}