{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"68bec7e5-ddd6-460c-bbc4-3df03580fc14","title":"恶性速度：加速主义与资本主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9781782793007","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"68bec7e5-ddd6-460c-bbc4-3df03580fc14","id":"68bec7e5-ddd6-460c-bbc4-3df03580fc14","uuid":"68bec7e5-ddd6-460c-bbc4-3df03580fc14","title":"恶性速度：加速主义与资本主义","normalized_title":"恶性速度加速主义与资本主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9781782793007","isbns":["9781782793007"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":128,"navigation_url":"https://workshop.closeclaw.top/ai/book/68bec7e5-ddd6-460c-bbc4-3df03580fc14","title_url":"https://workshop.closeclaw.top/ai/title/%E6%81%B6%E6%80%A7%E9%80%9F%E5%BA%A6%EF%BC%9A%E5%8A%A0%E9%80%9F%E4%B8%BB%E4%B9%89%E4%B8%8E%E8%B5%84%E6%9C%AC%E4%B8%BB%E4%B9%89","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/68bec7e5-ddd6-460c-bbc4-3df03580fc14/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/68bec7e5-ddd6-460c-bbc4-3df03580fc14/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/68bec7e5-ddd6-460c-bbc4-3df03580fc14","page_url":"https://workshop.closeclaw.top/api/ai/books/68bec7e5-ddd6-460c-bbc4-3df03580fc14/page","search_url":"https://workshop.closeclaw.top/api/ai/books/68bec7e5-ddd6-460c-bbc4-3df03580fc14/search"},"page":{"printed_page":3,"pdf_page":45,"physical_index":45,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"b32e384ef714deeb613df0e3ca8bd06a4e225f596795bcf236251bdda5ce684e"},"chapter":"人们在说什么","content":"机器存在\n\n托马斯布林克曼的1998年极简技术轨道'机器'，记录下的名字Ester布林克曼，包括一个重复的声音样本，在3.18开始。这个声音用德语说 ：“Ich will eine 机器 sein”。Arme zu greifen Beine zu gehn keinSchmerz kein Gedanke。“我想成为一台机器。”手臂可以抓，腿可以走，没有疼痛，没有思想。样本是einst<s:1> rzende Neubauten乐队主唱Blixa Bargeld的声音，来自他们的专辑《Die Hamletmaschine》，这是海纳·米<e:1>勒同名剧作的配乐。在布林克曼的手中，样本以半模仿的方式重复了机械加速和整合的技术修辞，从Kraftwerk到底特律再到谢菲尔德。尼克·兰德(NickLand)所赞美的“疯狂地去人性化的机器音乐”在这里放慢了速度，以一种令人昏昏欲睡的科技节奏重复着。1这个样本为批判性的检查提供了机器整合所承诺的从感觉和意识(“没有痛苦，没有思想”)中退出的机会，我认为，这是加速主义的幻想基础。\n\n在本章中，我想探讨人类与机器承诺的整合中这些幻想的和性欲的因素，这在加速主义中是如此普遍。为了做到这一点，我将讨论两个典型的、间隔很广的时刻:第一个是维克多·陶斯克(Victor Tausk)关于“影响机器”的精神分析研究，发表于1919年，就在他同年开枪自杀和上吊之前不久。弗洛伊德在一封信中以近乎无情的诚实写道：“我承认我并不真的想念他;长期以来，我一直认为他毫无用处，甚至对未来构成威胁。陶斯克的“机器”在德勒兹和瓜塔里的《反俄狄浦斯》中得到了加速主义的改造，从幻想的状态转变为\n\n3","previous_page":2,"next_page":4}