{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"783ef030-cc56-49a6-b7c7-df4a0f7e7c68","title":"仪式的消失 当下的世界","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787521753837","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"783ef030-cc56-49a6-b7c7-df4a0f7e7c68","id":"783ef030-cc56-49a6-b7c7-df4a0f7e7c68","uuid":"783ef030-cc56-49a6-b7c7-df4a0f7e7c68","title":"仪式的消失 当下的世界","normalized_title":"仪式的消失当下的世界","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787521753837","isbns":["9787521753837"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":127,"navigation_url":"https://workshop.closeclaw.top/ai/book/783ef030-cc56-49a6-b7c7-df4a0f7e7c68","title_url":"https://workshop.closeclaw.top/ai/title/%E4%BB%AA%E5%BC%8F%E7%9A%84%E6%B6%88%E5%A4%B1%20%E5%BD%93%E4%B8%8B%E7%9A%84%E4%B8%96%E7%95%8C","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/783ef030-cc56-49a6-b7c7-df4a0f7e7c68/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/783ef030-cc56-49a6-b7c7-df4a0f7e7c68/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/783ef030-cc56-49a6-b7c7-df4a0f7e7c68","page_url":"https://workshop.closeclaw.top/api/ai/books/783ef030-cc56-49a6-b7c7-df4a0f7e7c68/page","search_url":"https://workshop.closeclaw.top/api/ai/books/783ef030-cc56-49a6-b7c7-df4a0f7e7c68/search"},"page":{"printed_page":21,"pdf_page":29,"physical_index":29,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"87bd843701a1a1da33f357470469d86bb9be21615e5b0c545d9e99f02d813bfb"},"chapter":"Vom Verschwinden der Rituale Eine Topologie der Gegenwart","content":"本真性崇拜是社会衰败的一个显著标志：“当一个人被判定为本真，或整个社会被说成有本真性问题，那么这种说法便揭示出社会行为被贬低的程度之大，以及心理成分比重的日益增加。”[16]本真性强制导致了自恋式的内省，导致了对自我心理的一种持续不断的关注，就连交际也成了精神层面的活动。本真性社会是一个由亲密和裸露构成的社会。灵魂一赤裸主义(Seelen-Nudismus)使它具有色情特征。社会关系越是裸露出隐私和亲密关系，就越是逼近本真。\n\n主导18世纪社会的仍然是各种仪式性的互动形式。公共空间类似于一个舞台、一个剧场。身体也是一个舞台，是一个没有灵魂和心理活动的着装木偶，要配上标志和符号来美化装扮。假发之于人脸，就像画框之于图画。时尚本身就具有戏剧性，人们其实是爱上了舞台场景式的表达。甚至女士发型也按戏剧场景来塑造。它们要么代表历史事件，要么代表感情。然而，这些感情并不反映任何灵魂状态。首先要带着感情去演戏(gespielt)。脸本身成为一个舞台，在这个舞台上，人们借助点痣妆(mouche)来刻画某些人物。例如，如果痣点在眼角，它就意味着激情；如果点在下唇，就表示这个人心直口快。作为舞台的脸，绝不是如今在“脸书”上发布的那种“脸”。\n\n本真性强制\n\n21","previous_page":20,"next_page":22}