{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"783ef030-cc56-49a6-b7c7-df4a0f7e7c68","title":"仪式的消失 当下的世界","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787521753837","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"783ef030-cc56-49a6-b7c7-df4a0f7e7c68","id":"783ef030-cc56-49a6-b7c7-df4a0f7e7c68","uuid":"783ef030-cc56-49a6-b7c7-df4a0f7e7c68","title":"仪式的消失 当下的世界","normalized_title":"仪式的消失当下的世界","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787521753837","isbns":["9787521753837"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":127,"navigation_url":"https://workshop.closeclaw.top/ai/book/783ef030-cc56-49a6-b7c7-df4a0f7e7c68","title_url":"https://workshop.closeclaw.top/ai/title/%E4%BB%AA%E5%BC%8F%E7%9A%84%E6%B6%88%E5%A4%B1%20%E5%BD%93%E4%B8%8B%E7%9A%84%E4%B8%96%E7%95%8C","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/783ef030-cc56-49a6-b7c7-df4a0f7e7c68/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/783ef030-cc56-49a6-b7c7-df4a0f7e7c68/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/783ef030-cc56-49a6-b7c7-df4a0f7e7c68","page_url":"https://workshop.closeclaw.top/api/ai/books/783ef030-cc56-49a6-b7c7-df4a0f7e7c68/page","search_url":"https://workshop.closeclaw.top/api/ai/books/783ef030-cc56-49a6-b7c7-df4a0f7e7c68/search"},"page":{"printed_page":27,"pdf_page":35,"physical_index":35,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"f6cae030c29a0be5dd83623e04d3567266853273870af77e448f30ef3366c514"},"chapter":"Vom Verschwinden der Rituale Eine Topologie der Gegenwart","content":"文化的世俗化导致了对文化的祛魅(Entzauberung)。如今，艺术也越来越被世俗化，被去除魅力。魔法和魅力本是艺术的起源，而今离它远去，让位于对话。有魅力的外界被真实的内在取代，魔法的符号被世俗的符号取代。对话性的内容取代了令人信服的、引人入胜的形式。魔法让路给透明性。透明性律令使人对形式产生敌意。就其意义层面而言，艺术变得透明，它不再具有诱惑力。魔法的外壳被扔掉了。形式本身不再言说。浓缩、杂合、多义、夸张、高度的模棱两可甚至矛盾重重，是形式语言、符号语言的特点。它们暗示了一种意义，而不是立即彰显出意义。现在，它们不见了，以迎合那些叠加在艺术作品上的简化了的意义和信息。\n\n对艺术祛魅，把艺术变成了新教产物。它被去除了仪式性，失去了张扬浮夸的形式：“在20世纪80年代末之前，艺术空间看起来还像天主教堂一样，有许多五颜六色和生动活泼的形式形态；在那时之后，各个艺术协会像极了新教产物，向内容、口语或书面语看齐。”[21]艺术(Kunst)不是对话(Diskurs)。它是通过形式，通过能指而不是所指发挥作用的。对艺术来说，内化的过程是摧毁性的，它把艺术变得如同话语，丢掉神秘莫测的外表，去投靠世俗的内在世界。艺术的祛魅是一种自恋现象，自恋式地转向内在。\n\n本真性强制\n\n27","previous_page":26,"next_page":28}