{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"783ef030-cc56-49a6-b7c7-df4a0f7e7c68","title":"仪式的消失 当下的世界","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787521753837","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"783ef030-cc56-49a6-b7c7-df4a0f7e7c68","id":"783ef030-cc56-49a6-b7c7-df4a0f7e7c68","uuid":"783ef030-cc56-49a6-b7c7-df4a0f7e7c68","title":"仪式的消失 当下的世界","normalized_title":"仪式的消失当下的世界","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787521753837","isbns":["9787521753837"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":127,"navigation_url":"https://workshop.closeclaw.top/ai/book/783ef030-cc56-49a6-b7c7-df4a0f7e7c68","title_url":"https://workshop.closeclaw.top/ai/title/%E4%BB%AA%E5%BC%8F%E7%9A%84%E6%B6%88%E5%A4%B1%20%E5%BD%93%E4%B8%8B%E7%9A%84%E4%B8%96%E7%95%8C","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/783ef030-cc56-49a6-b7c7-df4a0f7e7c68/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/783ef030-cc56-49a6-b7c7-df4a0f7e7c68/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/783ef030-cc56-49a6-b7c7-df4a0f7e7c68","page_url":"https://workshop.closeclaw.top/api/ai/books/783ef030-cc56-49a6-b7c7-df4a0f7e7c68/page","search_url":"https://workshop.closeclaw.top/api/ai/books/783ef030-cc56-49a6-b7c7-df4a0f7e7c68/search"},"page":{"printed_page":56,"pdf_page":64,"physical_index":64,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"07489ca34ede82c68a1794952e1523fe2cfc6ab27e48bc83a1ee8a535afe7e13"},"chapter":"Vom Verschwinden der Rituale Eine Topologie der Gegenwart","content":"无止境的增长。\n\n如今，几乎没有任何人物的生命以主权、以对游戏的热情为特征。导演维尔纳·施罗特是一个强游戏者。他的最后一部电影《犬之夜》(La nuit de chien)展示了强游戏、主权和纯粹的耗费。当被问及他在电影中构建的“乌托邦形式”的核心是什么，施罗德回答说：“是死亡。是选择死亡的自由。电影的美妙之处在于，我用所有大场面去实现这些并没有像当下我的许多同行那样奉之为精致的干果碎蛋糕。这种心理上的碎裂接下来说不定老奶奶又能回春。不，那是另一个世界。我的整个生命就是一个乌托邦，因为我总是活在希望里。我积极思考，这就是为什么我得了病还能活到今天的原因，很神奇。我大费周章地在波尔图拍摄了九个星期：每天从晚上六点工作到早上六点。呕心沥血。我宿命般地遭遇各种情况，但没有屈服，既没有屈服于自己，也没有屈服于他人。于是就成功了：人可以战胜对死亡的恐惧。它并不属于我的世界。我甚至不知道它是什么时候离我而去的。”[53]施罗特在他的电影里创造了一个乌托邦，在这个乌托邦中，死亡表达了一种强度，是一种有强度的生命形式。它是一种绝对的耗费，是主权的表达。\n\n56\n\n仪式的消失","previous_page":55,"next_page":57}