{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"783ef030-cc56-49a6-b7c7-df4a0f7e7c68","title":"仪式的消失 当下的世界","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787521753837","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"783ef030-cc56-49a6-b7c7-df4a0f7e7c68","id":"783ef030-cc56-49a6-b7c7-df4a0f7e7c68","uuid":"783ef030-cc56-49a6-b7c7-df4a0f7e7c68","title":"仪式的消失 当下的世界","normalized_title":"仪式的消失当下的世界","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787521753837","isbns":["9787521753837"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":127,"navigation_url":"https://workshop.closeclaw.top/ai/book/783ef030-cc56-49a6-b7c7-df4a0f7e7c68","title_url":"https://workshop.closeclaw.top/ai/title/%E4%BB%AA%E5%BC%8F%E7%9A%84%E6%B6%88%E5%A4%B1%20%E5%BD%93%E4%B8%8B%E7%9A%84%E4%B8%96%E7%95%8C","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/783ef030-cc56-49a6-b7c7-df4a0f7e7c68/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/783ef030-cc56-49a6-b7c7-df4a0f7e7c68/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/783ef030-cc56-49a6-b7c7-df4a0f7e7c68","page_url":"https://workshop.closeclaw.top/api/ai/books/783ef030-cc56-49a6-b7c7-df4a0f7e7c68/page","search_url":"https://workshop.closeclaw.top/api/ai/books/783ef030-cc56-49a6-b7c7-df4a0f7e7c68/search"},"page":{"printed_page":69,"pdf_page":77,"physical_index":77,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"8e9086bb4ac80a27bdc32ed351d9581089ec09c3e2ce9e48627c8822947c833b"},"chapter":"Vom Verschwinden der Rituale Eine Topologie der Gegenwart","content":"即使仪式性符号也无法被赋予明确的含义，所以它们显得很神秘。语言的功能化和信息化程度的提高，减少了过剩的部分，即过度的能指。语言就这样被祛魅了。纯粹的信息不产生任何魔力。它们不会施展诱惑。语言之所以神采奕奕，令人心醉神迷，只归功于丰富的能指。如今，我们生活在一种所指文化中，这种文化将能指，即将形式视为外在之物。它既是快乐也是形式的冤家对头。\n\n能指的过剩也是仪式的标记。罗兰·巴特将整个仪式化的日本理想化为一个符号帝国，一个能指的礼仪帝国。即使日本的短诗，即俳句，也由过剩的能指所决定。他们很少考虑所指。它们不交代任何事物。它们纯粹是在做语言游戏，玩能指的游戏，不生产任何意义。俳句是语言的典礼：“在俳句中，对语言的限制是一种我们无法理解的烧脑对象，因为它不在于简洁的表达（也就是说，在不减少所指的密集程度的前提下，尽可能简洁地领会能指)，而是相反，它关乎意义的根源，以便确保意义不破土而出……俳句并非丰富的想法——那种想法会被简化为一个简短的形式，而是一个简短的事件，能一气呵成地找到它的适当形式。”[72]\n\n符号帝国\n\n69","previous_page":68,"next_page":70}