{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"783ef030-cc56-49a6-b7c7-df4a0f7e7c68","title":"仪式的消失 当下的世界","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787521753837","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"783ef030-cc56-49a6-b7c7-df4a0f7e7c68","id":"783ef030-cc56-49a6-b7c7-df4a0f7e7c68","uuid":"783ef030-cc56-49a6-b7c7-df4a0f7e7c68","title":"仪式的消失 当下的世界","normalized_title":"仪式的消失当下的世界","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787521753837","isbns":["9787521753837"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":127,"navigation_url":"https://workshop.closeclaw.top/ai/book/783ef030-cc56-49a6-b7c7-df4a0f7e7c68","title_url":"https://workshop.closeclaw.top/ai/title/%E4%BB%AA%E5%BC%8F%E7%9A%84%E6%B6%88%E5%A4%B1%20%E5%BD%93%E4%B8%8B%E7%9A%84%E4%B8%96%E7%95%8C","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/783ef030-cc56-49a6-b7c7-df4a0f7e7c68/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/783ef030-cc56-49a6-b7c7-df4a0f7e7c68/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/783ef030-cc56-49a6-b7c7-df4a0f7e7c68","page_url":"https://workshop.closeclaw.top/api/ai/books/783ef030-cc56-49a6-b7c7-df4a0f7e7c68/page","search_url":"https://workshop.closeclaw.top/api/ai/books/783ef030-cc56-49a6-b7c7-df4a0f7e7c68/search"},"page":{"printed_page":70,"pdf_page":78,"physical_index":78,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"302a266cbf752f9ddf80712100acfd1aaf1c5b254c7c53964c7dd7b78855c45b"},"chapter":"Vom Verschwinden der Rituale Eine Topologie der Gegenwart","content":"俳句受制于严格的游戏规则。它根本不能被翻译成任何其他语言。日语特有的形式，抵制任何翻译。\n\n闲寂古池旁，\n\n青蛙跳进水中央，\n\n扑通一声响。\n\n——松尾芭蕉\n\n一种浓烈的形式主义和审美主义，可以概括为仪式的本质特征，它也主导着日本的日常仪式实践，如包装。日本人把每一个小玩意儿都装进绚丽的包装里。在罗兰·巴特看来，日式包装的特殊性在于“物不大，但包装精致，二者不相称”[73]。用符号来表达就是:能指(外壳)比它所表示的也即所指、内容更为重要。华丽的能指将可能不重要的所指推后。它首先为自己发光，不依赖真实，不依赖它所包含的东西：“日本人乐此不疲地到处运输的东西，终究不过是空洞的符号。”[74]空的礼仪结束了资本主义的商品经济。日本人的包装没有显示出任何东西。它把人们的目光从物上移开，首先转向它华丽的外壳。因此，日本的包装与商品截然对立，商品的包装纯粹是外在的。包装的目的只在于被快速拆开。和服也是如此，它将身体包裹在过剩的能指里，包裹在色彩和形式的游戏中。作为能指载体的身体，与色情的身体截然不同，后者没有任何包装，只现出赤裸裸的所指，因此是淫秽的。脱离能指的色情身体，只指向赤裸裸的所指，指向赤裸裸的真实，即性。\n\n70\n\n仪式的消失","previous_page":69,"next_page":71}