{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"7e4c841a-b79b-4458-bd26-8f762fabd431","title":"技术与时间 3：电影的时间与存在之痛的问题","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787544726474","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"7e4c841a-b79b-4458-bd26-8f762fabd431","id":"7e4c841a-b79b-4458-bd26-8f762fabd431","uuid":"7e4c841a-b79b-4458-bd26-8f762fabd431","title":"技术与时间 3：电影的时间与存在之痛的问题","normalized_title":"技术与时间3电影的时间与存在之痛的问题","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787544726474","isbns":["9787544726474","1111101000"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":344,"navigation_url":"https://workshop.closeclaw.top/ai/book/7e4c841a-b79b-4458-bd26-8f762fabd431","title_url":"https://workshop.closeclaw.top/ai/title/%E6%8A%80%E6%9C%AF%E4%B8%8E%E6%97%B6%E9%97%B4%203%EF%BC%9A%E7%94%B5%E5%BD%B1%E7%9A%84%E6%97%B6%E9%97%B4%E4%B8%8E%E5%AD%98%E5%9C%A8%E4%B9%8B%E7%97%9B%E7%9A%84%E9%97%AE%E9%A2%98","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/7e4c841a-b79b-4458-bd26-8f762fabd431/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/7e4c841a-b79b-4458-bd26-8f762fabd431/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/7e4c841a-b79b-4458-bd26-8f762fabd431","page_url":"https://workshop.closeclaw.top/api/ai/books/7e4c841a-b79b-4458-bd26-8f762fabd431/page","search_url":"https://workshop.closeclaw.top/api/ai/books/7e4c841a-b79b-4458-bd26-8f762fabd431/search"},"page":{"printed_page":65,"pdf_page":79,"physical_index":79,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"7fdc0978bd87fc017baea8d0c0d6b84e97b4f953c1997986ebd2b4f87c522f18"},"chapter":"第二章意识犹如电影","content":"这就是在我们关心图型法这一问题的同时，即将探讨的问题。这也为我们提供了契机去回顾“先验演绎”的第二版。\n\n10.“图像”与“图型”：\n\n作为“内感官与外感官共时化的能力”的知性\n\n按照“原理分析论”(“判断先验法则”)的解释，要将直观归结到概念之下，那么在“认定的综合”的过程中，\n\n必须有一个第三者，它必须一方面与范畴同质，另一方面与现象同质。[……]这就是先验的图型。[……]概念包含着感性的形式条件，[…]这些形式条件中包含着使范畴得以应用于任何对象的普遍性条件。①\n\n而且，“这个条件就是该概念的图型。图型的目的不是某一特殊的直觉，而是感性的统一性。”这也就是我们为什么必须将“图型”(schème)与“图像”(image)区分开来的原因。例如,某个数的“图像”\n\n第二章 意识犹如电影\n\n① 康德，《纯粹理性批判》,出处同前，第151—152页。(参见中译本第139—140页。——译注）\n\n②法语数词“五”。——译注\n\n065","previous_page":64,"next_page":66}