{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"814ecd11-5d1c-4f8a-b6d4-83f989e06c58","title":"贺麟全集 小逻辑","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787208077065","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"814ecd11-5d1c-4f8a-b6d4-83f989e06c58","id":"814ecd11-5d1c-4f8a-b6d4-83f989e06c58","uuid":"814ecd11-5d1c-4f8a-b6d4-83f989e06c58","title":"贺麟全集 小逻辑","normalized_title":"贺麟全集小逻辑","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787208077065","isbns":["9787208077065"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":409,"navigation_url":"https://workshop.closeclaw.top/ai/book/814ecd11-5d1c-4f8a-b6d4-83f989e06c58","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B4%BA%E9%BA%9F%E5%85%A8%E9%9B%86%20%E5%B0%8F%E9%80%BB%E8%BE%91","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/814ecd11-5d1c-4f8a-b6d4-83f989e06c58/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/814ecd11-5d1c-4f8a-b6d4-83f989e06c58/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/814ecd11-5d1c-4f8a-b6d4-83f989e06c58","page_url":"https://workshop.closeclaw.top/api/ai/books/814ecd11-5d1c-4f8a-b6d4-83f989e06c58/page","search_url":"https://workshop.closeclaw.top/api/ai/books/814ecd11-5d1c-4f8a-b6d4-83f989e06c58/search"},"page":{"printed_page":148,"pdf_page":157,"physical_index":157,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"08af4d9df5413275d545b47708345777964f583ed82887a28071c4eea578a617"},"chapter":"小逻辑","content":"§56\n\n这里康德就提出了关于知性的普遍概念与感性的特殊事物之间的另外一种关系的思想，—不同于理论理性和实践理性所依据的对于普遍与特殊关系的学说。但这种关系的新看法，并没有明确承认普遍与特殊统一的关系为真正关系、甚或为真理本身的见解。他毋宁只承认这种统一是存在于有限的现象中，而且只是在经验中得到体现。主体具有这种经验，一方面是出于天才，创造美的理念的能力。所谓美的理念即是出于自由想象力的表象，这些表象有助于暗示理念，启发思想，但其内容并未用概念的形式表达出来，而且也不容许用概念去表达。美的经验另一方面则系出于趣味判断(Geschmack-surteil)，一种对于自由的直观或表象和理智的匀称合度之间的适当配合的敏感。\n\n小逻辑\n\n148","previous_page":147,"next_page":149}