{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"8770e87a-1162-4f3c-b374-e88b5e736a68","title":"我们何以成为后人类 文学、信息科学和控制论中的虚拟身体","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787301280768","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"8770e87a-1162-4f3c-b374-e88b5e736a68","id":"8770e87a-1162-4f3c-b374-e88b5e736a68","uuid":"8770e87a-1162-4f3c-b374-e88b5e736a68","title":"我们何以成为后人类 文学、信息科学和控制论中的虚拟身体","normalized_title":"我们何以成为后人类文学信息科学和控制论中的虚拟身体","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787301280768","isbns":["9787301280768"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":474,"navigation_url":"https://workshop.closeclaw.top/ai/book/8770e87a-1162-4f3c-b374-e88b5e736a68","title_url":"https://workshop.closeclaw.top/ai/title/%E6%88%91%E4%BB%AC%E4%BD%95%E4%BB%A5%E6%88%90%E4%B8%BA%E5%90%8E%E4%BA%BA%E7%B1%BB%20%E6%96%87%E5%AD%A6%E3%80%81%E4%BF%A1%E6%81%AF%E7%A7%91%E5%AD%A6%E5%92%8C%E6%8E%A7%E5%88%B6%E8%AE%BA%E4%B8%AD%E7%9A%84%E8%99%9A%E6%8B%9F%E8%BA%AB%E4%BD%93","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/8770e87a-1162-4f3c-b374-e88b5e736a68/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/8770e87a-1162-4f3c-b374-e88b5e736a68/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/8770e87a-1162-4f3c-b374-e88b5e736a68","page_url":"https://workshop.closeclaw.top/api/ai/books/8770e87a-1162-4f3c-b374-e88b5e736a68/page","search_url":"https://workshop.closeclaw.top/api/ai/books/8770e87a-1162-4f3c-b374-e88b5e736a68/search"},"page":{"printed_page":240,"pdf_page":253,"physical_index":253,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"843c6e6c318abc1392c5549d670f17144f9348990015009a61093aad021321b8"},"chapter":"第三章","content":"在我看来，杰姆逊的论证中唯一难以令人信服的就是他用来启动分析的假定性设想。他指出，《血钱博士》展示了60年代中期的其他小说推测过但是不曾描述过的事件：毁灭环境并且永久性地改变人类与地球之间的关系的核灾难。他认为，原子弹只要求“单调的是或不是”，由此击败迪克的创造一种不确定的现实的美学，并且需要一种新技巧。[29]杰姆逊指出，角色体系就是这种新技巧，尽管它怎样解决自己提出的问题的方式从未明朗。但是，迪克在提出关于原子弹问题的现实方面却是没有任何问题的（我们很快就会看到），因此从这个视点看，角色体系是具有过度杀伤力的。恰恰相反，我想指出角色体系被更巧妙地置于与一种不同的解释问题的关系中来理解。我认为对于《血钱博士》的叙事动力学非常重要的一个解释问题是：将里面的角色翻出来将正面的角色翻进去的界线工作。\n\n240\n\n我们何以成为后人类：文学、信息科学和控制论中的虚拟身体","previous_page":239,"next_page":241}