{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"8770e87a-1162-4f3c-b374-e88b5e736a68","title":"我们何以成为后人类 文学、信息科学和控制论中的虚拟身体","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787301280768","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"8770e87a-1162-4f3c-b374-e88b5e736a68","id":"8770e87a-1162-4f3c-b374-e88b5e736a68","uuid":"8770e87a-1162-4f3c-b374-e88b5e736a68","title":"我们何以成为后人类 文学、信息科学和控制论中的虚拟身体","normalized_title":"我们何以成为后人类文学信息科学和控制论中的虚拟身体","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787301280768","isbns":["9787301280768"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":474,"navigation_url":"https://workshop.closeclaw.top/ai/book/8770e87a-1162-4f3c-b374-e88b5e736a68","title_url":"https://workshop.closeclaw.top/ai/title/%E6%88%91%E4%BB%AC%E4%BD%95%E4%BB%A5%E6%88%90%E4%B8%BA%E5%90%8E%E4%BA%BA%E7%B1%BB%20%E6%96%87%E5%AD%A6%E3%80%81%E4%BF%A1%E6%81%AF%E7%A7%91%E5%AD%A6%E5%92%8C%E6%8E%A7%E5%88%B6%E8%AE%BA%E4%B8%AD%E7%9A%84%E8%99%9A%E6%8B%9F%E8%BA%AB%E4%BD%93","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/8770e87a-1162-4f3c-b374-e88b5e736a68/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/8770e87a-1162-4f3c-b374-e88b5e736a68/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/8770e87a-1162-4f3c-b374-e88b5e736a68","page_url":"https://workshop.closeclaw.top/api/ai/books/8770e87a-1162-4f3c-b374-e88b5e736a68/page","search_url":"https://workshop.closeclaw.top/api/ai/books/8770e87a-1162-4f3c-b374-e88b5e736a68/search"},"page":{"printed_page":278,"pdf_page":291,"physical_index":291,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"7c60e48670e656c656fc55c197e0e00a834a868e846b0f3a0c16a3b20296b6be"},"chapter":"第三章","content":"录音带及其文化壁龛\n\n在自己开创性的著作《阅读声音：文学与唱机文本》(ReadingVoices: Literature and the Phonotext) 中，加勒特·斯图尔特(GarrettStewart)不是追问我们如何阅读或者为什么阅读，而是在哪里阅读。[24]他认定我们在身体中阅读，特别是可以在默读(silent reading）期间产生静音/半出声(subvocalization）的音频设备。他认为，这种静音/半出声是文学/文字语言生产所必需的。对斯图尔特而言，当语言不足以被其他的语词（words）取代时，即特定的语言成为获得语言效果的必需品时，它就会变成文学/文字；文字/文学语言(literarylanguage）在工作时用虚拟的声音（virtual sounds）和谐音的变体(homophonic variants）包围它的发言(utterance)。虚拟声和变体音暗含对印在书上的实际文字（words）的另一种读法。静音/半出声在身体/实体(body）中实现了这些可能性，并且使它们能够被翻译或解释。这种论证流露出几个非常有趣的结果。第一，对压制的声音(suppressed sound）进行身体化/实体化(bodily）的规定(enactment)，在阅读过程中具有重要作用；第二，阅读类似于内心独白。每个人都有内心独白，除非它为我们带来了另一个故事。通常，这个故事比源于自我意识的被静音的声流讲述的故事更有趣；第三，被静音的声音(subvocalized sound) 产物对于主体性的重要性，与它对于文学/文字语言的重要性是一样的。[25]\n\n278\n\n我们何以成为后人类：文学、信息科学和控制论中的虚拟身体","previous_page":277,"next_page":279}