{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"8770e87a-1162-4f3c-b374-e88b5e736a68","title":"我们何以成为后人类 文学、信息科学和控制论中的虚拟身体","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787301280768","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"8770e87a-1162-4f3c-b374-e88b5e736a68","id":"8770e87a-1162-4f3c-b374-e88b5e736a68","uuid":"8770e87a-1162-4f3c-b374-e88b5e736a68","title":"我们何以成为后人类 文学、信息科学和控制论中的虚拟身体","normalized_title":"我们何以成为后人类文学信息科学和控制论中的虚拟身体","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787301280768","isbns":["9787301280768"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":474,"navigation_url":"https://workshop.closeclaw.top/ai/book/8770e87a-1162-4f3c-b374-e88b5e736a68","title_url":"https://workshop.closeclaw.top/ai/title/%E6%88%91%E4%BB%AC%E4%BD%95%E4%BB%A5%E6%88%90%E4%B8%BA%E5%90%8E%E4%BA%BA%E7%B1%BB%20%E6%96%87%E5%AD%A6%E3%80%81%E4%BF%A1%E6%81%AF%E7%A7%91%E5%AD%A6%E5%92%8C%E6%8E%A7%E5%88%B6%E8%AE%BA%E4%B8%AD%E7%9A%84%E8%99%9A%E6%8B%9F%E8%BA%AB%E4%BD%93","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/8770e87a-1162-4f3c-b374-e88b5e736a68/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/8770e87a-1162-4f3c-b374-e88b5e736a68/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/8770e87a-1162-4f3c-b374-e88b5e736a68","page_url":"https://workshop.closeclaw.top/api/ai/books/8770e87a-1162-4f3c-b374-e88b5e736a68/page","search_url":"https://workshop.closeclaw.top/api/ai/books/8770e87a-1162-4f3c-b374-e88b5e736a68/search"},"page":{"printed_page":293,"pdf_page":306,"physical_index":306,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"1bd5a50f8220dad31bd7277f57bb34b6bf53f935c29e1cc361a043258b9d5d06"},"chapter":"第三章","content":"用一个非常自相矛盾的术语，伯勒斯把文化生产它复制声音和图像轨道的地方叫做“现实制片厂”(reality studio)。“显然，没有任何预示性的令人兴奋的事件将要发生”，叙述者说，隐晦地嘲讽他自已异形空间轨迹(space-alien track）的情节剧。“你随时会理解人为什么要竭尽所能地进入电影，用各种旧影片废料来掩盖自己……想尽一切办法来逃避无望的存在恐惧：你是谁？你在哪里？—注定要毁灭的星球上垂死的动物。”将资本主义的财经与文化生产连接起来（仿佛记起了美国电报电话公司)，他继续说：“现在发行的电影不值得用赛璐璐来洗印，没有什么来支撑它，电影银行是空的。为了消除现实制片厂的破产，最根本的是，没有人支持建立另一套现实……为现实制片厂工作，不然你将体会到被排除在电影之外的感觉”(outsidethefilm)(《车票》，p.151)。\n\n第八章 信息论的物质性\n\n293","previous_page":292,"next_page":294}