{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"8770e87a-1162-4f3c-b374-e88b5e736a68","title":"我们何以成为后人类 文学、信息科学和控制论中的虚拟身体","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787301280768","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"8770e87a-1162-4f3c-b374-e88b5e736a68","id":"8770e87a-1162-4f3c-b374-e88b5e736a68","uuid":"8770e87a-1162-4f3c-b374-e88b5e736a68","title":"我们何以成为后人类 文学、信息科学和控制论中的虚拟身体","normalized_title":"我们何以成为后人类文学信息科学和控制论中的虚拟身体","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787301280768","isbns":["9787301280768"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":474,"navigation_url":"https://workshop.closeclaw.top/ai/book/8770e87a-1162-4f3c-b374-e88b5e736a68","title_url":"https://workshop.closeclaw.top/ai/title/%E6%88%91%E4%BB%AC%E4%BD%95%E4%BB%A5%E6%88%90%E4%B8%BA%E5%90%8E%E4%BA%BA%E7%B1%BB%20%E6%96%87%E5%AD%A6%E3%80%81%E4%BF%A1%E6%81%AF%E7%A7%91%E5%AD%A6%E5%92%8C%E6%8E%A7%E5%88%B6%E8%AE%BA%E4%B8%AD%E7%9A%84%E8%99%9A%E6%8B%9F%E8%BA%AB%E4%BD%93","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/8770e87a-1162-4f3c-b374-e88b5e736a68/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/8770e87a-1162-4f3c-b374-e88b5e736a68/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/8770e87a-1162-4f3c-b374-e88b5e736a68","page_url":"https://workshop.closeclaw.top/api/ai/books/8770e87a-1162-4f3c-b374-e88b5e736a68/page","search_url":"https://workshop.closeclaw.top/api/ai/books/8770e87a-1162-4f3c-b374-e88b5e736a68/search"},"page":{"printed_page":439,"pdf_page":452,"physical_index":452,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"6c86b352bba5a59e5b5e9942499e36fd357ffbb163bc7b60cb44fddac6a33811"},"chapter":"第八章 信息论的物质性","content":"[5]米歇尔·福柯(Michel Foucault)：《规训与惩罚：监狱的诞生》(Disciplineand Punish: The Birth of the Prison, New York: Vintage, 1979), 阿兰·谢里登（Alan Sheridan）译，第 205 页。\n\n[6]在福柯后期的作品中，尤其是《性史》(The History of Sexuality, NewYork：Vintage Books，1980)，罗伯特·赫尔利(Robert Hurley）的，更加关注具体实践和一般体现的重要性。\n\n[7]伊莱恩·斯卡瑞(Elaine Scarry)：《疼痛的身体：世界的形成与瓦解》(TheBody in Pain: The Making and Unmaking of the World, New York: OxfordUniversity Press, 1985)。\n\n[9]伊丽莎白·格罗茨(ElizabethGrosz):《易变的身体：迈向身体的女性主义》(Volatile Bodies: Toward a Corporeal Feminism, Bloomington: Indiana勒斯的《布里翁·赛新的切割法》(The Cut-Up Method of Brion Gysin,San Francisco:Re/Search Publications,1982)研究 4/5 第 35—38 页。罗宾·莱登伯格(RobinLydenberg）清楚地讨论了切割法的政治和理论含义，见《文字文化：威廉·伯勒斯小说中的激进理论和实践》(Word Cultures:Radical Theory and Practice in William S. Burroughs'Fiction, Urbana:Urbana：University of Illinois Press，1987)；拉兹洛·赛芬(Laszlo K.Gefin）将该方法置于先进拼贴技术中，见《拼贴理论、反响及威廉·伯勒斯的切割方法》(“Collage Theory，Reception，and the Cutups of Wil-liam Burroughs”)，出自《当代文学观：文学及其他艺术》13(Perspectiveson Contemporary Literature: Literature and the Other Arts 13)(1987 年):91—100页；安妮·弗里德伯格（Anne Friedberg）的《切割方法：文本花边》(“Cut-Ups：A Synema of the Text”)出自司格尔(Skerl)和莱登伯格（Lydenberg)的《威廉·伯勒斯》（William S. Burroughs)第169-—173页，该作品通过达达主义艺术家追溯了切割法。\n\n注释\n\n439","previous_page":438,"next_page":440}