{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"8775e0ee-45b3-49e0-9051-2909d31de8ea","title":"数字工厂","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787523600474","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"8775e0ee-45b3-49e0-9051-2909d31de8ea","id":"8775e0ee-45b3-49e0-9051-2909d31de8ea","uuid":"8775e0ee-45b3-49e0-9051-2909d31de8ea","title":"数字工厂","normalized_title":"数字工厂","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787523600474","isbns":["9787523600474"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":281,"navigation_url":"https://workshop.closeclaw.top/ai/book/8775e0ee-45b3-49e0-9051-2909d31de8ea","title_url":"https://workshop.closeclaw.top/ai/title/%E6%95%B0%E5%AD%97%E5%B7%A5%E5%8E%82","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/8775e0ee-45b3-49e0-9051-2909d31de8ea/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/8775e0ee-45b3-49e0-9051-2909d31de8ea/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/8775e0ee-45b3-49e0-9051-2909d31de8ea","page_url":"https://workshop.closeclaw.top/api/ai/books/8775e0ee-45b3-49e0-9051-2909d31de8ea/page","search_url":"https://workshop.closeclaw.top/api/ai/books/8775e0ee-45b3-49e0-9051-2909d31de8ea/search"},"page":{"printed_page":5,"pdf_page":9,"physical_index":9,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"bf091e357c031c861087b1a5d720cab3eb3f263e963c35c95b63dd5fbf6dfafa"},"chapter":"数字工厂","content":"威尔逊的分屏设计显然参考了两部有关劳动力结构的早期作品。第一部是路易斯·卢米埃(Louis Lumière)的《工人离开卢米埃工厂》(Workers Leaving the Lumière Factory)。这部作品通常被称为第一部真正意义上的电影。它由一个46秒的镜头组成，拍摄的是法国里昂（Lyon）卢米埃工厂的大门。影片中的人正在走出安托万·卢米埃摄影板和纸张有限公司(Société Anonyme des Plaques et Papiers Photographiques AntoineLumière)，且多为女工。该公司是一家成功的照片制造商。影片最初于1895年春天拍摄了几个版本，随后，工人离开工厂大门的场景激发了无数翻拍、创作新作品的灵感，其中最著名的是哈伦·法罗基(HarunFarocki)1995年的影片《工人离开工厂》(Workers Leaving the Factory)。在这部影片中，法罗基将不同地点、不同历史时期的工人离开工厂的画面与卢米埃工厂的镜头拼接在了一起。\n\n在我看来，这种对工厂似乎不合时宜的参考非常有趣。长期以来，工厂一直是经济与社会进步的象征，也是对资本主义社会进行批判性分析的出发点。历史学家约书亚·弗里曼(Joshua Freeman)在其深入研究工厂历史的作品《巨头》(Behemoth)中提到，在相当长的一段时间内，巨型工厂对塑造现代世界至关重要，一直被视为“未来的模板，为技术、政治和文化讨论设定了条件”。①从马克思《资本论》中的英国工厂，到成为整个资本主义时期代名词的福特工厂，一个多世纪以来，工厂也是众多关键经济、社会理论和政治实践的核心。\n\n引言离开工厂的工人\n\n005","previous_page":4,"next_page":6}