{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"885e5112-8f04-4bc1-a4ec-56f64be9f6ee","title":"反俄狄浦斯资本主义与精神分裂(卷一)","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305294983","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"885e5112-8f04-4bc1-a4ec-56f64be9f6ee","id":"885e5112-8f04-4bc1-a4ec-56f64be9f6ee","uuid":"885e5112-8f04-4bc1-a4ec-56f64be9f6ee","title":"反俄狄浦斯资本主义与精神分裂(卷一)","normalized_title":"反俄狄浦斯资本主义与精神分裂卷一","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305294983","isbns":["9787305294983"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":681,"navigation_url":"https://workshop.closeclaw.top/ai/book/885e5112-8f04-4bc1-a4ec-56f64be9f6ee","title_url":"https://workshop.closeclaw.top/ai/title/%E5%8F%8D%E4%BF%84%E7%8B%84%E6%B5%A6%E6%96%AF%E8%B5%84%E6%9C%AC%E4%B8%BB%E4%B9%89%E4%B8%8E%E7%B2%BE%E7%A5%9E%E5%88%86%E8%A3%82(%E5%8D%B7%E4%B8%80)","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/885e5112-8f04-4bc1-a4ec-56f64be9f6ee/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/885e5112-8f04-4bc1-a4ec-56f64be9f6ee/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/885e5112-8f04-4bc1-a4ec-56f64be9f6ee","page_url":"https://workshop.closeclaw.top/api/ai/books/885e5112-8f04-4bc1-a4ec-56f64be9f6ee/page","search_url":"https://workshop.closeclaw.top/api/ai/books/885e5112-8f04-4bc1-a4ec-56f64be9f6ee/search"},"page":{"printed_page":110,"pdf_page":207,"physical_index":207,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"e2402d30efb2852cef81eecb806367692fa7d07fe1f08d72dcd73bed75879625"},"chapter":"第一章 欲望机器","content":"① 瓦斯拉夫·尼金斯基(1889—1950)，波兰血统的俄国芭蕾演员和编导。被称为20世纪芭蕾史上“最伟大的男演员”。其作品《牧神的午后春之祭》被公推为现代芭蕾的先声。1918年，他因精神分裂症而退出舞台。著有《尼金斯基日记》(1953，巴黎)。—译者注\n\n② Nijinsky, Journal , tr, fr. Gallimard.\n\n110\n\n反俄狄浦斯：资本主义与精神分裂(卷一)","previous_page":null,"next_page":111}