{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"95b6255f-fe45-47a4-9f2d-278e1ac56d00","title":"符号政治经济学批判","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305142840","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"95b6255f-fe45-47a4-9f2d-278e1ac56d00","id":"95b6255f-fe45-47a4-9f2d-278e1ac56d00","uuid":"95b6255f-fe45-47a4-9f2d-278e1ac56d00","title":"符号政治经济学批判","normalized_title":"符号政治经济学批判","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305142840","isbns":["9787305142840"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":353,"navigation_url":"https://workshop.closeclaw.top/ai/book/95b6255f-fe45-47a4-9f2d-278e1ac56d00","title_url":"https://workshop.closeclaw.top/ai/title/%E7%AC%A6%E5%8F%B7%E6%94%BF%E6%B2%BB%E7%BB%8F%E6%B5%8E%E5%AD%A6%E6%89%B9%E5%88%A4","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/95b6255f-fe45-47a4-9f2d-278e1ac56d00/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/95b6255f-fe45-47a4-9f2d-278e1ac56d00/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/95b6255f-fe45-47a4-9f2d-278e1ac56d00","page_url":"https://workshop.closeclaw.top/api/ai/books/95b6255f-fe45-47a4-9f2d-278e1ac56d00/page","search_url":"https://workshop.closeclaw.top/api/ai/books/95b6255f-fe45-47a4-9f2d-278e1ac56d00/search"},"page":{"printed_page":128,"pdf_page":174,"physical_index":174,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"a2bf73ccabd2b861cc7e165427b6f13e24f81b50493ff1a8414cf13a8598360b"},"chapter":"第四章 艺术行为①与签名:当代艺术中的符号创作","content":"在此，我们似乎找到了现代艺术的真谛：它不再是这个世界的摹写。而是对一些创造性行为的细节的摹写些点、一些线、一些片断。同时，那些显现出来的东西都成了复制品，在空间上复制了这个世界，在时间上则复制了某种行动本身，尽管不太准确。劳申伯格的创作，即他的重复行为，只是这个逻辑演进中充满矛盾的极端情形。在这一情形下，当劳申伯格一次又一次地重复他的画作的时候，有可能存在着一种献媚(在现实主义者看来)，或者一种迷恋(妄想症)；但事实上，为了复制能够发生，并不必然需要摹写。在任何情况下，劳申伯格知道即使他的两幅作品完全相同，它们仍旧存在差异，因为它们表征了两个不同的时刻，所以能够在市场上保有它们各自独立的价值。所以这种重复并不就是一种拷贝。主体性已经渗透在它自身的机械重复之中。这就是为什么这种重复并不能任由其他人来做。\n\n120\n\n①美国著名波普(popart)艺术家。1925年生。——译者\n\n128\n\n符号政治经济学批判","previous_page":127,"next_page":129}