{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"9b88d2f2-8eab-4576-8a52-82d9265ef4da","title":"技术与时间：1.爱比米修斯的过失","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787544726863","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"9b88d2f2-8eab-4576-8a52-82d9265ef4da","id":"9b88d2f2-8eab-4576-8a52-82d9265ef4da","uuid":"9b88d2f2-8eab-4576-8a52-82d9265ef4da","title":"技术与时间：1.爱比米修斯的过失","normalized_title":"技术与时间1爱比米修斯的过失","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787544726863","isbns":["9787544726863"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":329,"navigation_url":"https://workshop.closeclaw.top/ai/book/9b88d2f2-8eab-4576-8a52-82d9265ef4da","title_url":"https://workshop.closeclaw.top/ai/title/%E6%8A%80%E6%9C%AF%E4%B8%8E%E6%97%B6%E9%97%B4%EF%BC%9A1.%E7%88%B1%E6%AF%94%E7%B1%B3%E4%BF%AE%E6%96%AF%E7%9A%84%E8%BF%87%E5%A4%B1","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/9b88d2f2-8eab-4576-8a52-82d9265ef4da/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/9b88d2f2-8eab-4576-8a52-82d9265ef4da/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/9b88d2f2-8eab-4576-8a52-82d9265ef4da","page_url":"https://workshop.closeclaw.top/api/ai/books/9b88d2f2-8eab-4576-8a52-82d9265ef4da/page","search_url":"https://workshop.closeclaw.top/api/ai/books/9b88d2f2-8eab-4576-8a52-82d9265ef4da/search"},"page":{"printed_page":290,"pdf_page":304,"physical_index":304,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"ea62b98c1cced81eb5c269d9c1a0569b30266caca5a2112cf311d742f4a2d471"},"chapter":"第三章“什么”的解脱","content":"然而这是因为既没有方法、也没有结果和开端。这个适应于作家的原理同样适应于一般意义的、作为一种发明者和生产者的有机体的人。这个写作的问题不过是更彻底地表现了人类记忆问题。所以，“如果我们在劳动中看到了历史的力量，即在改变世界的同时改变人类的力量，我们必须承认作家行为所包含的劳动本身的形式。[……]比如，我有取暖的计划。只要这个计划停留于愿望，我尽可以从各个侧面思量它，但是它不能给我取暖。现在，我制造了一个火炉：这个火炉把原来空洞的愿望转化成真理；它在世界上肯定了一件原来不存在的事物的现实，与此同时，它否定了原有的事物；原来在我面前的是砖石和生铁；而现在，砖石和生铁都不复存在，取而代之的是这些因素转化即被劳动否定和消毁的结果。随之而来的是世界本身的变化。[……]那么作家的创作又是什么呢?他之所为也就是人类的劳动，不过是处于一个最高的层次罢了。[……]他进行写作的基点是：一定的语言状态、文化类型、某些著作，但也包括一些物质的因素，如墨水、纸、印刷等[……]在写作之前，我曾经有过写作的打算，我至少有过写作的计划，但是在这个打算和它借以实现的书之间，我看到的是同存在于取暖的愿望和使我取暖的火炉之间一样的差别”。\n\n技术与时间\n\n布朗桥：《文学和死亡的权利》，“La part du feu”,Gallimard,第295页。\n\n④①《文学和死亡的权利》，第296页。\n\n290","previous_page":289,"next_page":291}