{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"a6cc7da8-99f2-4538-8a66-26787f7481a3","title":"资本主义与精神分裂(卷2)：千高原(修订译本)","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787208178977","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"a6cc7da8-99f2-4538-8a66-26787f7481a3","id":"a6cc7da8-99f2-4538-8a66-26787f7481a3","uuid":"a6cc7da8-99f2-4538-8a66-26787f7481a3","title":"资本主义与精神分裂(卷2)：千高原(修订译本)","normalized_title":"资本主义与精神分裂卷2千高原修订译本","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787208178977","isbns":["9787208178977"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":515,"navigation_url":"https://workshop.closeclaw.top/ai/book/a6cc7da8-99f2-4538-8a66-26787f7481a3","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B5%84%E6%9C%AC%E4%B8%BB%E4%B9%89%E4%B8%8E%E7%B2%BE%E7%A5%9E%E5%88%86%E8%A3%82(%E5%8D%B72)%EF%BC%9A%E5%8D%83%E9%AB%98%E5%8E%9F(%E4%BF%AE%E8%AE%A2%E8%AF%91%E6%9C%AC)","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/a6cc7da8-99f2-4538-8a66-26787f7481a3/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/a6cc7da8-99f2-4538-8a66-26787f7481a3/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/a6cc7da8-99f2-4538-8a66-26787f7481a3","page_url":"https://workshop.closeclaw.top/api/ai/books/a6cc7da8-99f2-4538-8a66-26787f7481a3/page","search_url":"https://workshop.closeclaw.top/api/ai/books/a6cc7da8-99f2-4538-8a66-26787f7481a3/search"},"page":{"printed_page":168,"pdf_page":186,"physical_index":186,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"3c63b086d1e483eb9ec5e720d75135051e787fdabc420c1471356d3d7fce2885"},"chapter":"Capitalisme et Schizophré Mille Plat Dilles Del ix Gu","content":"《斯万的一次爱情》：普鲁斯特懂得怎样令面孔、风景、绘画、音乐等等处于共振之中。斯万一奥黛特情史的三个阶段。起初，一整套能指的装置被建立起来。\n\n资本主义与精神分裂（卷2）：千高原（修订译本）\n\n① 这个主题在恐怖小说和侦探小说之中是常见的：眼睛处于黑洞之中，而非相反（“我看到一个发光的圆形物从这个黑洞之中浮现，人们将它称为眼睛”)。而连环漫画之中——比如Circusn°2—则描绘了布满眼睛和面孔的黑洞，以及对这个黑洞的穿越。关于眼睛与黑洞和墙之间的关系，参见帕朗(J.L. Parant)的文本和绘画，尤其是 Les yeux MMDVI，Bourgois。\n\n② 杜乔·迪·博尼塞尼亚(Duccio di Buoninsegna，1255—1319)，意大利画家。锡耶纳画派的代表。——译注\n\n③ 据福音书记载，彼得和安德烈在捕鱼时受到耶稣召唤。他们也是耶稣最早的两个门徒。—译注\n\n④ 参见帕里斯(Jean Paris)的分析，L'espace et le regard，Éd. du Seuil，1，ch. i(同样，圣母像的演变以及圣母的面孔与婴儿耶稣的面孔之间的关系的变化：Ⅱ，ch.ii)。\n\n168","previous_page":167,"next_page":169}