{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"a6cc7da8-99f2-4538-8a66-26787f7481a3","title":"资本主义与精神分裂(卷2)：千高原(修订译本)","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787208178977","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"a6cc7da8-99f2-4538-8a66-26787f7481a3","id":"a6cc7da8-99f2-4538-8a66-26787f7481a3","uuid":"a6cc7da8-99f2-4538-8a66-26787f7481a3","title":"资本主义与精神分裂(卷2)：千高原(修订译本)","normalized_title":"资本主义与精神分裂卷2千高原修订译本","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787208178977","isbns":["9787208178977"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":515,"navigation_url":"https://workshop.closeclaw.top/ai/book/a6cc7da8-99f2-4538-8a66-26787f7481a3","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B5%84%E6%9C%AC%E4%B8%BB%E4%B9%89%E4%B8%8E%E7%B2%BE%E7%A5%9E%E5%88%86%E8%A3%82(%E5%8D%B72)%EF%BC%9A%E5%8D%83%E9%AB%98%E5%8E%9F(%E4%BF%AE%E8%AE%A2%E8%AF%91%E6%9C%AC)","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/a6cc7da8-99f2-4538-8a66-26787f7481a3/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/a6cc7da8-99f2-4538-8a66-26787f7481a3/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/a6cc7da8-99f2-4538-8a66-26787f7481a3","page_url":"https://workshop.closeclaw.top/api/ai/books/a6cc7da8-99f2-4538-8a66-26787f7481a3/page","search_url":"https://workshop.closeclaw.top/api/ai/books/a6cc7da8-99f2-4538-8a66-26787f7481a3/search"},"page":{"printed_page":230,"pdf_page":248,"physical_index":248,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"a0fa51028b1732a296a28b015f0fbed31deb0f94a655abdd62d7ddff0f51caa6"},"chapter":"Capitalisme et Schizophré Mille Plat Dilles Del ix Gu","content":"海浪就是振动，作为如此众多的抽象，它就是展现于容贯平面之上的变动不居的边界。海浪的抽象机器。在《海浪》之中，弗吉尼亚·伍尔夫将她的一生和著作形成为一个过程，一种生成，在年龄、性别、元素和领域之间展开的各种各样的生成；她将七个人物纠缠在一起，伯纳德、奈维尔、路易斯、珍妮、罗达、苏珊和帕西法尔；然而，每个人物都有着其名字和个性，他（她）指向着一个多元体（比如伯纳德和鱼群）；每个人都同时既在这个多元体之中，又处于其边缘，由此进入到另外的多元体之中。帕西法尔就像是终极的多元体，他囊括了最多的维度。然而，他尚未构成容贯的平面。虽然罗达以为她看到了他在大海之上清晰呈现，但那并不是他，“当他将胳膊放在膝盖之上时，这就形成了一个三角形，当他保持直立的时候，就是一个圆柱体，如果他弯下身子，那就是一眼弧形的喷泉，……大海在他身后咆哮，他远远超越了我们的视线。”每个人都如一股海浪般推进，但是，在容贯的平面之上，他们只是同一股抽象的海浪，其振动沿着遍及整个平面的逃逸线或解域之线而蔓延(在弗吉尼亚·伍尔夫这部小说的每一章之首，都有一段对于海浪的某个侧面、某个时刻、某种生成所进行的冥思)。\n\n资本主义与精神分裂（卷2）：千高原（修订译本）\n\n① 参见 Lawrence, le premier et le deuxième poèmes de Tortoises。\n\n230","previous_page":229,"next_page":231}