{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"aad4d586-86fc-4d21-a20d-fd3da08aedc1","title":"导读德勒兹","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562482765","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"aad4d586-86fc-4d21-a20d-fd3da08aedc1","id":"aad4d586-86fc-4d21-a20d-fd3da08aedc1","uuid":"aad4d586-86fc-4d21-a20d-fd3da08aedc1","title":"导读德勒兹","normalized_title":"导读德勒兹","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562482765","isbns":["9787562482765"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":241,"navigation_url":"https://workshop.closeclaw.top/ai/book/aad4d586-86fc-4d21-a20d-fd3da08aedc1","title_url":"https://workshop.closeclaw.top/ai/title/%E5%AF%BC%E8%AF%BB%E5%BE%B7%E5%8B%92%E5%85%B9","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/aad4d586-86fc-4d21-a20d-fd3da08aedc1/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/aad4d586-86fc-4d21-a20d-fd3da08aedc1/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/aad4d586-86fc-4d21-a20d-fd3da08aedc1","page_url":"https://workshop.closeclaw.top/api/ai/books/aad4d586-86fc-4d21-a20d-fd3da08aedc1/page","search_url":"https://workshop.closeclaw.top/api/ai/books/aad4d586-86fc-4d21-a20d-fd3da08aedc1/search"},"page":{"printed_page":128,"pdf_page":146,"physical_index":146,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"2c115adddfaf72f0b6c0c2c9b9bbb149a698baed08a682f41a0e131c6a586afc"},"chapter":"导读德勒兹","content":"德勒兹将艺术的倾向指认为生产感受和知觉。这或许在视觉艺术里面尤为如此。与想象文学作品是感受相比，想象一个画家或电影制作者以其独特性，脱离所有意义、秩序或参照物来呈现色彩和质地是更为容易的。因而当文学使用语言的时候，就很难去考察到它如何能够避免意义或再现。当然，德勒兹在他的所有作品之中都提及到视觉艺术，并且他写了一本关于感觉的书来探索20世纪艺术家弗兰西斯·培根(FrancisBacon)的作品1(Deleuze1981)。但是我们需要小心，不能将感受的潜在概念还原为感性素材的直接经验。感受的发生，不是眼睛遭遇到色彩，而是这种观看给予了我们思想或潜在差异的形象，这种形象使色彩被给予,不是在这种情感(affection)中给予我们，而是作为匿名的感受给予我们。我们“看到”艺术作品的色彩，它不是在我们的世界之中被看到，而是作为被看到的东西、作为可视物，作为感性的权力而被看到。对德勒兹来说，文学有其自身独特的感受力量，这是一种与视觉艺术非常不同的力量。在文学之中被实现的感受，不是这样或那样的信息，不是这个或那个言说者，而是让言说和说话成为可能的力量，它脱离任何表达的主体。\n\n128\n\n导读德勒兹\n\n106","previous_page":null,"next_page":129}