{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"aad4d586-86fc-4d21-a20d-fd3da08aedc1","title":"导读德勒兹","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562482765","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"aad4d586-86fc-4d21-a20d-fd3da08aedc1","id":"aad4d586-86fc-4d21-a20d-fd3da08aedc1","uuid":"aad4d586-86fc-4d21-a20d-fd3da08aedc1","title":"导读德勒兹","normalized_title":"导读德勒兹","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562482765","isbns":["9787562482765"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":241,"navigation_url":"https://workshop.closeclaw.top/ai/book/aad4d586-86fc-4d21-a20d-fd3da08aedc1","title_url":"https://workshop.closeclaw.top/ai/title/%E5%AF%BC%E8%AF%BB%E5%BE%B7%E5%8B%92%E5%85%B9","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/aad4d586-86fc-4d21-a20d-fd3da08aedc1/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/aad4d586-86fc-4d21-a20d-fd3da08aedc1/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/aad4d586-86fc-4d21-a20d-fd3da08aedc1","page_url":"https://workshop.closeclaw.top/api/ai/books/aad4d586-86fc-4d21-a20d-fd3da08aedc1/page","search_url":"https://workshop.closeclaw.top/api/ai/books/aad4d586-86fc-4d21-a20d-fd3da08aedc1/search"},"page":{"printed_page":42,"pdf_page":60,"physical_index":60,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"488b23e4a8573de9a45950c5d55348e741dba3162ca2625d9a2653c257907ace"},"chapter":"导读德勒兹","content":"正如所有艺术那样，电影有可能以这样的方式来运作—通过间歇或其影像的独特性，从而它的生成过程得以被展示。一般而言，感受只是一种合情合理的感觉，而不是组织化的意义。(感受在某种意义上是概念的对立面。概念让我们脱离感觉去思考一种形式或关系;我们拥有“圆”的概念而不需要感知到任何圆的东西，而且我们更能够进一步去预测我们可能会遭遇到的圆的东西。概念给出了我们思考的秩序或方向。)我们的经验将它自身作为感觉素材的混合物和组织化的概念来呈现，但这并不意味着我们不能思考感受(那些向我们袭来的影像)和概念(我们对那些影像的回应和秩序)的差异。对德勒兹来说，这意味着我们能够将经验作为它实际上之所是(经验的实际形式)，并且将它区分成其潜在的构成部分。当然，并不存在一个不用通过某种物质性或感性就能够发生的概念。我们总是必须要有一个词语或声音才能思考概念的运动。同样地，艺术总是有某种秩序、综合或意义。(德勒兹并不认为艺术仅仅是无意义的感受。)事实上，艺术作品通过经验的构成将我们带回到感受之中去，这些感受正是那些被综合的整体得以从中显现的东西。电影是通过运动一影像和时间一影像这两种方式来\n\n42\n\n导读德勒兹\n\n35","previous_page":41,"next_page":43}