{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"aad4d586-86fc-4d21-a20d-fd3da08aedc1","title":"导读德勒兹","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562482765","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"aad4d586-86fc-4d21-a20d-fd3da08aedc1","id":"aad4d586-86fc-4d21-a20d-fd3da08aedc1","uuid":"aad4d586-86fc-4d21-a20d-fd3da08aedc1","title":"导读德勒兹","normalized_title":"导读德勒兹","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562482765","isbns":["9787562482765"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":241,"navigation_url":"https://workshop.closeclaw.top/ai/book/aad4d586-86fc-4d21-a20d-fd3da08aedc1","title_url":"https://workshop.closeclaw.top/ai/title/%E5%AF%BC%E8%AF%BB%E5%BE%B7%E5%8B%92%E5%85%B9","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/aad4d586-86fc-4d21-a20d-fd3da08aedc1/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/aad4d586-86fc-4d21-a20d-fd3da08aedc1/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/aad4d586-86fc-4d21-a20d-fd3da08aedc1","page_url":"https://workshop.closeclaw.top/api/ai/books/aad4d586-86fc-4d21-a20d-fd3da08aedc1/page","search_url":"https://workshop.closeclaw.top/api/ai/books/aad4d586-86fc-4d21-a20d-fd3da08aedc1/search"},"page":{"printed_page":59,"pdf_page":77,"physical_index":77,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"60500299b0a38f24d916456dae129516126a00b7f2e3c80606c4254ade4e3721"},"chapter":"导读德勒兹","content":"相当于蒙太奇自身或它的某种东西的，正是时间和绵延的间接影像。它不是一种同质的时间或一种空间化的绵延……，而是一种效果性的绵延和从运动—影像的表达中体现出来的时间流动。\n\n(Deleuze1986:29)\n\n对于德勒兹来说，蒙太奇的这种运用拥有一种与政治“信息”或意义毫无关系的政治功能。这对于德勒兹对“前个人”的政治的整个强调来说至关重要。在人类对问题和利益进行论争之前，时间必须被建构为可区分的存在者或同一性。哲学与艺术都消解或直觉这些微观知觉，向我们展示“我们的”世界是如何从影像之流中被综合而成的。政治正是从这种形式或经验的综合之中显现的。我们只能通过消解经验远离“含义”(或有序的整体)，以便转向它的有效成分(那些产生含义的特异性)，从而使政治激进化。比如，蒙太奇让物质的非人的绵延可以被感知。这给予我们一种历史—不再是作为人类剧情的历史，而是在思考或日常知觉之外的物质的过程史。如果我们不再从单独和全知全能的人类的视角观看，我们就会得到时间的间接意义或作为一种构成力量的历史。我们能够被与我们的材料和历史信息相反的角度所培养。摄影机的非人之眼将我们从一个固定的和人类的道德概念中解放出来，让我们评价构成我们的那些更大的物质的力量：\n\n2 电影：知觉、时间与生成\n\n59","previous_page":58,"next_page":60}