{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"aad4d586-86fc-4d21-a20d-fd3da08aedc1","title":"导读德勒兹","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562482765","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"aad4d586-86fc-4d21-a20d-fd3da08aedc1","id":"aad4d586-86fc-4d21-a20d-fd3da08aedc1","uuid":"aad4d586-86fc-4d21-a20d-fd3da08aedc1","title":"导读德勒兹","normalized_title":"导读德勒兹","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562482765","isbns":["9787562482765"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":241,"navigation_url":"https://workshop.closeclaw.top/ai/book/aad4d586-86fc-4d21-a20d-fd3da08aedc1","title_url":"https://workshop.closeclaw.top/ai/title/%E5%AF%BC%E8%AF%BB%E5%BE%B7%E5%8B%92%E5%85%B9","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/aad4d586-86fc-4d21-a20d-fd3da08aedc1/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/aad4d586-86fc-4d21-a20d-fd3da08aedc1/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/aad4d586-86fc-4d21-a20d-fd3da08aedc1","page_url":"https://workshop.closeclaw.top/api/ai/books/aad4d586-86fc-4d21-a20d-fd3da08aedc1/page","search_url":"https://workshop.closeclaw.top/api/ai/books/aad4d586-86fc-4d21-a20d-fd3da08aedc1/search"},"page":{"printed_page":67,"pdf_page":85,"physical_index":85,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"657acfbbaed7a6802278262f0361960425d498bbd00eb76bde1f84fce1d30144"},"chapter":"导读德勒兹","content":"的知觉的遗传学因素。那就是变化点，它使知觉变化，它是差异化的知觉自身。\n\n(Deleuze 1989:83)\n\n镜头一意识将自身提高到决定性的位置，它不再是形式的或材料的，而是遗传学的和差异化的。\n\n(Deleuze 1989:85)\n\n小结\n\n生命是时间或生成之流，是一个互动或“知觉”的整体。每一个知觉的事件开启它自身的世界。在所有这些现实化的世界之上和之外，存在着一个由各种各样绵延组成的潜在的整体。在电影中，我们将对世界的知觉从固定的和秩序化的视角中解放出来。这通过两个方向来完成。早期电影达到了运动一影像。与看到运动体从一点到达另一点所不同的是，我们看到的是运动自身或活动的截面。现代电影则通过时间一影像走得更远。影像不再连接起来形成有逻辑性的序列，通过使用非理性剪辑，电影给予我们时间自身的影像。这种时间不是简单的从一点到另一点的线性进程，而是多种多样的和差异化的生成。因此，电影有能力去思考超越它自身和世界的固定影像的东西，我们能够思考那种不再是某种存在者的影像的影像。\n\n2电影：知觉、时间与生成\n\n67","previous_page":66,"next_page":null}