{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"aad4d586-86fc-4d21-a20d-fd3da08aedc1","title":"导读德勒兹","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562482765","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"aad4d586-86fc-4d21-a20d-fd3da08aedc1","id":"aad4d586-86fc-4d21-a20d-fd3da08aedc1","uuid":"aad4d586-86fc-4d21-a20d-fd3da08aedc1","title":"导读德勒兹","normalized_title":"导读德勒兹","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562482765","isbns":["9787562482765"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":241,"navigation_url":"https://workshop.closeclaw.top/ai/book/aad4d586-86fc-4d21-a20d-fd3da08aedc1","title_url":"https://workshop.closeclaw.top/ai/title/%E5%AF%BC%E8%AF%BB%E5%BE%B7%E5%8B%92%E5%85%B9","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/aad4d586-86fc-4d21-a20d-fd3da08aedc1/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/aad4d586-86fc-4d21-a20d-fd3da08aedc1/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/aad4d586-86fc-4d21-a20d-fd3da08aedc1","page_url":"https://workshop.closeclaw.top/api/ai/books/aad4d586-86fc-4d21-a20d-fd3da08aedc1/page","search_url":"https://workshop.closeclaw.top/api/ai/books/aad4d586-86fc-4d21-a20d-fd3da08aedc1/search"},"page":{"printed_page":74,"pdf_page":92,"physical_index":92,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"f785f5350be5988c67c297d2fe7d4546ecfb9be30f1ec0917aa6e77184ca17c5"},"chapter":"导读德勒兹","content":"“纯粹感受”同样也是一种解域。假如我感知到红色，我通常会从某种感兴趣的和组织化的视角出发将它联系到某物的红色。但是电影却可以以一种非组织化的或非接续的方式将颜色呈现为不再指向特定物体或空间对象的颜色，因此我们可以得到一种颜色自身的意义，它不再是被(现实地)感知到的颜色，而是被光线的潜在之流产生的或给予的颜色。这就是生成、纯粹感受或颜色的解域，是颜色的生成一颜色。我看到红色的特异性，这红色不是此时此刻的红色，而是在任何对象之中的红色：\n\n与简单的有色影像相反，颜色一影像并不指向某个特定的对象，而是尽它所能地吸收所有的有色物：它是一种把握所有在它的范围内发生的色彩的力量，或者说是完全不同的有色物的共同性质。存在一种色彩的象征主义，但它并不包含色彩与感受(绿色指代希望)之间的相关性。颜色恰好是感受自身的对立面，是它所获得的所有有色物的潜在连接。\n\n74\n\n导读德勒兹\n\n59","previous_page":73,"next_page":75}