{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"ae053936-f6b1-488b-8973-bb2332d1be14","title":"数字技术研究","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787308182003","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"ae053936-f6b1-488b-8973-bb2332d1be14","id":"ae053936-f6b1-488b-8973-bb2332d1be14","uuid":"ae053936-f6b1-488b-8973-bb2332d1be14","title":"数字技术研究","normalized_title":"数字技术研究","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787308182003","isbns":["9787308182003"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":790,"navigation_url":"https://workshop.closeclaw.top/ai/book/ae053936-f6b1-488b-8973-bb2332d1be14","title_url":"https://workshop.closeclaw.top/ai/title/%E6%95%B0%E5%AD%97%E6%8A%80%E6%9C%AF%E7%A0%94%E7%A9%B6","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/ae053936-f6b1-488b-8973-bb2332d1be14/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/ae053936-f6b1-488b-8973-bb2332d1be14/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/ae053936-f6b1-488b-8973-bb2332d1be14","page_url":"https://workshop.closeclaw.top/api/ai/books/ae053936-f6b1-488b-8973-bb2332d1be14/page","search_url":"https://workshop.closeclaw.top/api/ai/books/ae053936-f6b1-488b-8973-bb2332d1be14/search"},"page":{"printed_page":267,"pdf_page":291,"physical_index":291,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"4747485dec02e77d63e6ecbef032a9b18731c03797aac18cc985df0cd5b471d2"},"chapter":"第12章 情感与经验方法","content":"肌肉的紧张、我尝试过的动作、马的行为、我目光的方向—在这节骑马课上，这些内容共同构成了我的紧张经历。但这种紧张感并不一定总能以相同的方式被觉察到，对于不骑马的人而言，这种描述丝毫没有意义。这段描述的有趣之处在于，仅描述紧张的情绪体验还不够，还需要通过我的身体、我的身体姿态和动作、马的行为、我肌肉的紧绷等的相互作用反映出来。\n\n这些自传体叙述背后的总体思路是，通过对这些体验的丰富描述，让我们在进行设计时可从中获得灵感。自传体叙述也可被用作一种引导整体设计过程的方法。通过仔细地观察或详细描述复杂经历的全过程，设计者或用户能够把反馈融进设计过程(Sengers et al.,2005)。\n\n第12章 情感与经验方法\n\n267","previous_page":null,"next_page":null}