{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"ae053936-f6b1-488b-8973-bb2332d1be14","title":"数字技术研究","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787308182003","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"ae053936-f6b1-488b-8973-bb2332d1be14","id":"ae053936-f6b1-488b-8973-bb2332d1be14","uuid":"ae053936-f6b1-488b-8973-bb2332d1be14","title":"数字技术研究","normalized_title":"数字技术研究","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787308182003","isbns":["9787308182003"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":790,"navigation_url":"https://workshop.closeclaw.top/ai/book/ae053936-f6b1-488b-8973-bb2332d1be14","title_url":"https://workshop.closeclaw.top/ai/title/%E6%95%B0%E5%AD%97%E6%8A%80%E6%9C%AF%E7%A0%94%E7%A9%B6","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/ae053936-f6b1-488b-8973-bb2332d1be14/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/ae053936-f6b1-488b-8973-bb2332d1be14/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/ae053936-f6b1-488b-8973-bb2332d1be14","page_url":"https://workshop.closeclaw.top/api/ai/books/ae053936-f6b1-488b-8973-bb2332d1be14/page","search_url":"https://workshop.closeclaw.top/api/ai/books/ae053936-f6b1-488b-8973-bb2332d1be14/search"},"page":{"printed_page":409,"pdf_page":433,"physical_index":433,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"959281af24f194d52bf272ba9523fc7cb842254d9022e99d9fed9e9f6e70832f"},"chapter":"第18章 “基于设计的研究”的预测、场所与观点","content":"尖端设计\n\n在实现新设计空间的可能性问题上，其他研究人员补充了新的“尖端设计”概念(Card，1996;Gaver,2012)。尖端设计有助于确认并澄清设计空间的各个组成维度。尖端设计不是单独探讨每个维度，而是要体现多个设计维度间的交集，扩展现有的维度，确认该设计空间里以往未探测到的漏洞。随着时间流逝，当许多研究人员提出各种尖端设计时，该空间继而扩展到能容纳新的用户群、新情境与新技术。尖端设计的典型特点是比设计突破更加先进，具有工作原型机的形式，可以让用户在有限情境中进行测试。比如，“纸模”扩展了韦尔纳的“数字书桌”，允许作者在文档的纸印本上添加注解，并在线进行修改(Liao et al.,2008)。“纸模”胜过“数字书桌”的地方还在于，它是具备完全功能的原型机，能解决办公室工作人员面对的更为实际的问题。\n\n同样，石井设计的“音乐瓶”(见图18.4)在瓶塞被移走后能演奏音乐作品，可以说是毕晓普的“大理石应答机”的音乐版。石井的“音乐瓶”提供了另一个使用有形界面来控制数字音频内容的案例(Ishii et al.，2001)。每一种新设计都扩展并充实了某个概念，扩展了设计空间的边界。由设计师群体创造的各个尖端设计最终集合起来，就形成了制定设计原则的基础。\n\n第18章“基于设计的研究”的预测、场所与观点\n\n409","previous_page":408,"next_page":410}