{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b6a7cbc4-aede-456c-9145-8d538fb3734e","title":"赛博无产阶级：数字旋风中的全球劳动","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787214251299","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b6a7cbc4-aede-456c-9145-8d538fb3734e","id":"b6a7cbc4-aede-456c-9145-8d538fb3734e","uuid":"b6a7cbc4-aede-456c-9145-8d538fb3734e","title":"赛博无产阶级：数字旋风中的全球劳动","normalized_title":"赛博无产阶级数字旋风中的全球劳动","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787214251299","isbns":["9787214251299"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":228,"navigation_url":"https://workshop.closeclaw.top/ai/book/b6a7cbc4-aede-456c-9145-8d538fb3734e","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B5%9B%E5%8D%9A%E6%97%A0%E4%BA%A7%E9%98%B6%E7%BA%A7%EF%BC%9A%E6%95%B0%E5%AD%97%E6%97%8B%E9%A3%8E%E4%B8%AD%E7%9A%84%E5%85%A8%E7%90%83%E5%8A%B3%E5%8A%A8","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b6a7cbc4-aede-456c-9145-8d538fb3734e/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b6a7cbc4-aede-456c-9145-8d538fb3734e/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b6a7cbc4-aede-456c-9145-8d538fb3734e","page_url":"https://workshop.closeclaw.top/api/ai/books/b6a7cbc4-aede-456c-9145-8d538fb3734e/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b6a7cbc4-aede-456c-9145-8d538fb3734e/search"},"page":{"printed_page":173,"pdf_page":181,"physical_index":181,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"4f36c1caad1fbee79757d347174617a6ece42cfabc4bc359c31f6a6a3d6ca55c"},"chapter":"第十章 展望","content":"今天，无产阶级努力建立的控制论系统的形象在哪里，它正在被取代吗？也许我们可以在路易莎·惠顿(LuisaWhitton)于2013年拍摄的日本人形机器人的照片中找到它们，或者在亚当·柯蒂斯关于控制论遗产的电影《一切都被慈爱的机器注视着》(Curtis2011)中也可以找到它们。然而，更重要的是，这样图像可能很快就不由人类创造。\n\n半个多世纪前，雅克·拉康(JacquesLacan)在他受控制论影响的《意识现象的唯物主义定义》一书中提出，意识可以理解为一个反映的过程，就像镜子中的形象一样。然后他假设了一个“所有生物都消失”的时刻，只剩下瀑布和泉水还有闪电和雷声。在这种情况下，拉康问“镜子里的影像，湖里的影像它们还存在吗？”他回答说，很明显它们仍然存在：\n\n有一个非常简单的原因—在人类文明的鼎盛时期，我们已经超越了我们对意识的幻想，我们制造了一些仪器，这些仪器没有任何大胆的举动，我们可以想象，冲洗胶卷的过程是相当复杂的，把它们放在小盒子里，然后储存在冰箱里。尽管所有的生物都消失了，但照相机可以记录湖中倒影的山的形象，或者记录完全孤独地摇摇欲坠的咖啡馆。(Lacan 1991: 46)\n\n第十章 展望\n\n173","previous_page":172,"next_page":174}