{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":10,"pdf_page":25,"physical_index":25,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"6aa4c682fe2c37d1929ca0746f55afd03c10c3d9c07cb4a55e1106d0d19d9e3f"},"chapter":"第五章 析取的合取","content":"至于手的动作，这个曾经唯一以绘画方式打开可见物的动作，在19世纪期间机械性地退缩，朝着手指按压相机前进，手与它的活动方式中似乎出现了一个变异手指(devenir-doigt)（数字)。手指也可以操作录音机按键和字母数字键盘，以便以算术和数字方式生成各种形态，孕育出新的艺术材料（兼具造型和音乐材料）。\n\n这些例子，从上千案例中抽取的例子，指示了一种双重运动，一是人类对技术发明的归化，二是人体器官所进行的操作对机器和技术所做的授权。音乐中发生的事因此也发生在其他地方：在所有艺术中，工具、机器、记谱或录音等手段，从今以后而且显而易见，它们将不断增生，不断重新定义着艺术的实践。而音乐的启发天赋就在于它那原发和感性的工具特征，尤其对分析文学艺术的技术变异来说特有开导性，至少在某些方面是这样，音乐是技术一逻辑（techno-logique）变异的范例，将直接或间接地——影响普遍意义上的各类艺术。\n\n①参见弗朗索瓦·德拉朗德(François Delalande)，《声音的发明》，《媒介学期刊》第18期，第21页，及于格·杜富尔(Hugues Dufourt)，《从记谱到计算机》（采访录)，同上，第67页。\n\n010\n\n象征的贫困2：感性的灾难","previous_page":9,"next_page":11}