{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":101,"pdf_page":116,"physical_index":116,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"f97cfc6b26209f1fa041562d2f34c09796a168d362b74b7e0eb83a48f2a9698d"},"chapter":"第二章 装备仪器","content":"一个灵魂要说具有能意性质，那它得有潜在的接收这种独特性表达的能力，而这种独特性的表达自身也得具有独特性质，换言之，这个接受灵魂自身也在自行独特化，在那个灵魂借之自行转换（即自行个体化）的循环中。这个灵魂若要有能意性质，那它就得能够返还它所接收的东西，作为一种感官动力的回路，包括充当一种视觉动力性①，也充当毛利人的豪式循环。\n\n正是在这个意义上，艺术家和非艺术家之间的对立，将是一个必须被击败的事实状态，而要被击败，成为一种转变，它必须被设想为某个进化进程的成果：\n\n我们所感知的雕刻物品，使用常规感知仪器是无法感知的。……位于进化轴上的社会机体……如今必然与其一千年前的形象大相径庭。②\n\n① 参见左伊·卡布拉-圣·法尔·加尔诺(Zoï Kapoula-Sainte Fare Garnot)、金托塔·多尼斯(Gintautas Daunys)、奥利维埃·赫伯兹(OlivierHerbez)和米歇尔·穆努(MichelMenu)，《费尔南·莱热的闹钟视觉动力之探索》，《技艺》(Tekhnè) 第 15 期，第 83—92页。\n\n②博伊斯，哈尔兰，《艺术是什么?》，第44页。\n\n101\n\n第二章 装备仪器","previous_page":100,"next_page":102}