{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":105,"pdf_page":120,"physical_index":120,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"d3d3e68ba7c8d92bd021c50ad4019f75db707a7b19d449c4d0971cc6808d8045"},"chapter":"第二章 装备仪器","content":"26.博伊斯、爱比米修斯、普罗米修斯，及艺术的 未来\n\n犯错的这个问题也是爱比米修斯过错的问题，也是他与普罗米修斯的孪生性问题。正是这样，博伊斯审视了技术的艺术问题，以及艺术的技术问题：而艺术的未来就处于爱比米修斯和普罗米修斯的形象之间：\n\n普罗米修斯主义者和爱比米修斯主义者是两个原始的形象。……我们是否可以有这样一种文化？其中这两个原始人物……能够进入同一个相关辩论。我认为艺术的义务就是要达到这个目标；这当然不是传统艺术的义务，而是一种有待我们创造的艺术的义务。①\n\n可是这个从艺术到技术的新型关系，被设想成“这两个原始人物（之间）的相关辩论”，这既是一个记忆问题，也是一个义肢问题；更准确地说，这是把记忆与义肢结合起来的问题，作为持存的有限性，即所有犯错和遗忘的根源，作为短记忆和短记忆材料，也就是说作为印迹和第三持存，因缺失而替代这个原始的原始缺失，即心理与集体个体化的未完成成分，而面向能意行动的过渡就是充当轰动惊呼的表达，也就是说对局势的独特性总是进行重复性表达。\n\n①博伊斯等，《让我们建一座大教堂吧》，第135页。\n\n第二章 装备仪器\n\n105","previous_page":104,"next_page":106}