{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":11,"pdf_page":26,"physical_index":26,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"03bd38d949783f135ef22c2260c9cd78acf5d0ee6c18987ed34c18e484251213"},"chapter":"第五章 析取的合取","content":"在此之外，还有若干教益必须记住，那就是当代人类的感性和智性生活的变异：更近地审视乐器学①(organologie)问题，并且从最为迫切的政治和美学赌注角度出发，即如今展现在音乐问题后面的乐器学问题，这将对我们在理解上大有裨益，更有利于我们认清21世纪之初这正在重新上演的美学问题。\n\n4. 当代的音乐极端性\n\n朗读者因为另一方面，音乐已经正像电影那样——成为世界性的社会现象。在这里它既是一个美学事实，又是一个商品、科技、工业、社会学和政治的事实，它将载入一个漫长的历史。\n\n音乐已经强有力地载入所有已知社会的生活中，人们可以找到迄今45000年的乐器痕迹。音乐伴随着劳作活动和习俗仪式，它既是一个传播媒介，又是一种记忆技术。它在社会控制中一直承担着一个角色，包括净化控制中微妙形式的干扰能力，如庆典和灵魂附体等。\n\n显然，音乐能卖钱也由来已久：因此柏拉图就曾经仔细审视过音乐的方式及其权力，试图将音乐提交给立法哲学家进行审核（《理想国》第三卷)，讥讽古希腊行吟诗人，说他游历于各个城市之间，完全是为了混口斋饭（《伊安篇》）。他这么做就是把艺术家比作诡辩家，给他所认为的他们共同的贪财特征打上罪犯烙印。\n\n①乐器学是音乐学的分支，旨在分类和描述各种乐器。\n\n011\n\n朗读者配音序曲","previous_page":10,"next_page":12}