{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":112,"pdf_page":127,"physical_index":127,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"13f3973bf5bbd09bfe4ec6a0191a01e8e10d931f0d7da99871f2049b29946e94"},"chapter":"第三章 我们大家","content":"第三章 我们大家\n\n作为转变的个体化和作为社会雕塑的转变\n\n只有通过艺术，我们才能走出我们自已，知道这个世界上的他者看到的东西，他者的世界与我们的世界不同，那里的风景或许我们尚不知晓，就像月球上可能有的风景那样。\n\n马塞尔·普鲁斯特\n\n一位异乡女来到我们跟前，打断我们的睡眠，破坏男人们的塑造性声音。\n\n弗里德里希·荷尔德林\n\n28.博伊斯和我们大家。艺术概念的扩展和对任务的热爱\n\n（艺术）可以以老面孔显示，那个不再有效的面孔，那个重大信号的面孔，但是它也可以展示其人性的面孔，也就是说展示它进化的意义。①\n\n象征的贫困2：感性的灾难\n\n112","previous_page":111,"next_page":113}