{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":115,"pdf_page":130,"physical_index":130,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"03a516bad39afcb2a6fc40c6e484c8f5cdf2b9250daa3a13ed8c6290df412f13"},"chapter":"第三章 我们大家","content":"我们若要谈论这个创造性生灵的创造性和发明，即每个人固有的发明与创造要素，前提是这个发明是自由的，因为我们无法从这个概念推断出非自由的创造性。①\n\n这种自由的发明便是构成欲望的社会循环的东西，就是一种惊呼，并且以印迹的形式出现，无论什么形式都一样，即任意形式的第三持存，这就是大家参与的社会雕塑充当着潜在的或行动中的艺术家，然而在任何情况下，这都是从潜在状态到能意行动的过渡，就在这种表达中，而且通过这种向外表达（ex-primer）：\n\n人的诸多行动，即他的各种信息，他的印迹特点将某样东西印制成某种形式，赋予某事一种形式———这种向内形成（in-formation，即信息），人们是否应该把它们看作一个过程？一个来自自由决策的过程，来自这个生灵的自由的过程。在这个印迹特点中，我们最终必须得谈论雕塑过程：将一个行动印制到物质上。借助这个行动，雕刻者与印刷者就不再有区别。②\n\n①博伊斯，《通过这场战争，我不再属于艺术》，第50页。\n\n② 同上。\n\n115\n\n第三章 我们大家","previous_page":114,"next_page":116}