{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":127,"pdf_page":142,"physical_index":142,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"5229e9580f9b82aa0ded2a73542b32dd8b34baf31b75d256f8bc88f569602d70"},"chapter":"第三章 我们大家","content":"绘画总是有待重新看守，因此丹尼尔·阿拉斯在思考绘画时说：\n\n随着时间的流逝，随着时段的延续，随着重新到来的事实，意义的层面，这种画家的意义、思考和沉思的积累将渐渐出现。①\n\n这个绘画是一种痕迹，是一种印迹，他说在这个印迹中，人们几乎可以希望重新找到画家在绘画时所思考的东西，重新找到他重新看守的东西，正如他所想的事物那样，他的绘画恰恰就是他的思想。\n\n当我在阿雷佐时，我在圣方济各教堂驻足数个小\n\n时，在彼埃罗·德拉·弗朗西斯卡的壁画前，突然间\n\n我看见……彼埃罗·德拉·弗朗西斯卡理论上的个人\n\n签名，通过一个小小的细节，看到了这幅巨型壁画集\n\n的签名，就在最后一幅壁画的左下角。这幅画表现的\n\n是一个砍下的头颅，它正在用一种盲目的目光注视观\n\n众，因为头颅已经被砍下，因此是个死了的头颅，在\n\n那里，我真的有种非常靠近的感觉，即靠近彼埃罗·\n\n德拉·弗朗西斯卡曾经思考和想象的东西……我得以看到这个细节，它在那里已经五百年，因为所有剩下的我之前曾经看到和开始明白的东西，都让我突然间注意到这个细节。①\n\n①丹尼尔·阿拉斯，《绘画史》，法国文化台/德诺埃尔(Denoël)出版，2004年，第20页。\n\n127\n\n第三章 我们大家","previous_page":126,"next_page":128}