{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":128,"pdf_page":143,"physical_index":143,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"768eb060211346747d32e00cc6d0b96ac5708e9cb9f8ba17a9f2489546351018"},"chapter":"第三章 我们大家","content":"这个看着我们的断头，就是目光的锐利，而这个目光，在绘画中已经死亡，成了绘画中的死人，却能留存下来，充当着供人看的东西。在表面上反驳（实际上没有）关于《西斯廷圣母》的目光时，丹尼尔·阿拉斯在此做了解释，为什么那个被正在重新看守的目光所重新注意到的这个细节，它需要而且能够让人回来看到，回来重新看到那幅画，而这个目光所发现的东西，反过来又是怎样开启并邀请人们回归这个东西，而为此却缺乏表达的词汇，正如那幅绘画中所突出的事物，给绘画赋予一种共在的神秘：\n\n透过绘画的材料，绘画的形式，有某样东西在思考，而我只有词语去理解它，而且确切地知道，这些词语并不涵盖所获得的情感。…我总是可以用这些词或那些词去填充它，但永远不能达到绘画图卷中情感的特有品质。即使一幅图卷或一幅壁画已经看懂，重新回看，就是重新迎战绘画的沉默。②\n\n①丹尼尔·阿拉斯，《绘画史》，第21页。\n\n② 同上，第21—22页。\n\n128\n\n象征的贫困2：感性的灾难","previous_page":127,"next_page":129}