{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":129,"pdf_page":144,"physical_index":144,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"7b3e2a1206a3ff98f94226b65e48baed93a197772a9256b255538d94da522a90"},"chapter":"第三章 我们大家","content":"因此就有一个目光的时间，它开启了一个保持者，一幅绘画的保持者，画卷通过目光的毅力构成的东西来自我保持，这个目光在此就是支撑绘画的东西，或者说绘画所依靠的东西就是自我保持的东西。但是这个东西若要自我成形，自我“站立”，其条件只能是突出，这就是发生在拉斐尔的《西斯廷圣母》身上的事情：\n\n我去过德累斯顿，见过《西斯廷圣母》，当时我非常沮丧，因为博物馆正在整修：画的前面有块玻璃板，从我坐的位置看到的，只是一些霓虹灯在玻璃板上的反射，我只得移动身子去猜测那幅画。我极度失望，可我已经来到德累斯顿，就为看这幅圣母画，我不想带着失望而归。于是我在那儿待了几乎一个小时，走来走去，而在某个时刻，绘画“站”了起来。就在那儿，突然，我看见了西斯廷圣母。……这时的西斯廷圣母准确地表现了活着的神灵启示的那一刻，也就是说这是一幅展示神灵撕开了面纱的画卷，一幅正在亮相的神灵。……从此以后，我不需要再看《西斯廷圣母》，她已经“站”了起来，而我在心中保留着这份激动。①\n\n①丹尼尔·阿拉斯，《绘画史》，第22—23页。\n\n第三章 我们大家\n\n129","previous_page":128,"next_page":130}